Ryan Hidayat

After swearing an oath to marry the one who picks up her weaving stick, Dayang Sumba embarks on an unexpected romance with a royal staff member.

With the theme song, Indonesia Tanah Pusaka, the film’s melodrama takes on a nationalistic undertone. Hendrik Maulana, a staff officer in the Netherlands’ Indonesian Embassy, and his half-Dutch wife Nona, return to Indonesia. Hendrik is aware that he has to work hard in his country to support his family. So he trains as an air traffic controller before he returns home. However, there is still the cultural clash and his children have to adjust to school and their hometown. Then Eka, their second child, who is always the scapegoat of the family, runs away. Eka is attracted to an orphan ice seller who can support himself. He joins him selling the ice until he is stricken with typhus. His friend then breaks the news to Hendrik and Nona. Both parents rally with their three children, to complete the family again.

How often are you so busy chasing your dreams that you don’t realize there’s another call waiting? Living in a fast-paced rhythm, Asa and Mita are focused on chasing ambitions, working, and meeting endless expectations. Until one day, they start to question— is this really what they’re looking for?

Lupus (Ryan Hidayat) falls in love with Kunti (Conny Nurlita), the daughter of Mr. Galiman (Tile). Mr. Galiman himself is a widower who is looking for a replacement wife because he considers Kunti to be grown up. To make Mr. Galiman's intentions a success, Uncle Agus (Anwar Fuady) helps find a new mother for Kunti. He approaches Lupus' mother (Tatiek Wardiono) who is a widow, making Lupus' sister, Lulu (Firdha Razak) hate the man. When Lupus calls Kunti's house, it is discovered that Mr. Galiman is looking for a wife with the help of Uncle Agus. It turns out that what Uncle Agus offers to Mr. Galiman is not Lupus' mother, but Lulu. So, Lupus and Kunti try to make everyone aware so that Mr. Galiman's proposal to Lulu does not happen.

After graduating from high school, Lupus was not accepted at a public university and forbade his mother to sell inherited jewelery so that Lupus could enter a private school and cover his debts. Lupus asks for a down payment from the magazine where he often writes with the promise of writing about teenage girls who like to come home early. He then interviewed and approached Pia {Paramitha Rusady} who went to the disco every night because the house was crowded. His widowed father only scolded him but was rarely at home. Disco is a place of entertainment. She's not like other disco girls, who are also sex-free etc. Writing about Pia had invited misunderstandings, so Lupus preached. And it is said that his father then wanted to change his attitude. Pia's story is intertwined with: catching frogs, applying for jobs that turn out to be unsuccessful.

Four stories unfold in Jakarta, a big city that feels cold and dehumanizing. Life there strips away meaning, turning people into soulless zombies. In their search for purpose, youths turn to the only things that seem worthwhile—television and movies. This obsession pushes them down a dark path, transforming them into twisted versions of anti-heroes who make anti-social choices that spiral out of control.

Ferdian and Benny both have a crush on Amalia, whom they met at a discotheque. Through unique and funny competition, Ferdian finally manages to get Amalia, who also likes Ferdian, who is handsome, but a playboy. Unexpectedly, a new student who transferred from Jogja, Indriani, appeared in Ferdian's class. Ferdian likes Indriani and wants to win the girl's heart.

Surya, a retired ship captain and a widower with five children, has trouble with disciplining his kids. So he invites a private teacher to educate and guide his children. Several teachers try and fail. Eventually, a young teacher, Utari, is able to conquer them slowly. One day the children disturb Surya’s future wife. She suspects that Utari is behind it all, so she is fired. Utari goes home, heartbroken. The children are gloomy and the youngest one gets sick. Surya approaches the teacher to work again for them. Utari refuses. Only when the children approach her does she relent and return to Surya’s house.