Martin Čihák

Based on the novel by Jáchym Topol. Potok works as a set designer in a small theater. He is in his thirties and his life is essentially going nowhere. He views his surroundings and himself with contempt. His aimless life only changes when he meets Černá. The couple in love escapes from the city. Inevitably, however, they once again encounter human calculation, shallowness, and bad taste. Potok falls back into his former skepticism, which leads to the total breakdown of their relationship. Černá leaves him, and a desperate Potok slowly comes to a more conciliatory attitude toward the world, where there is no longer any place for great love and dark romance. Unlike Jáchym Topol's literary work of the same name, which takes place during the three years after 1989, the film ignores the time frame. It focuses on the hero's internal conflicts, which are timeless.

Set in the late 80s in a quiet, rural village headed by a suspicious, conspiring group of nasty leaders. Ewald has arrived there to measure water levels. Surrounding the fortress near the village are soldiers.

The Czech film avant-garde. A unique artistic direction of the 1920s and 1930s with great persons of Czech culture like Vítězslav Nezval, Jaroslav Seifert, Alexander Hackenschmied, Jan Kučera and many others being mentioned. However, is it really a forgotten landmark of the Czech cinematography or an artificial construct, created subsequently by film history?