Vuk Mitevski

Calcutta, India, August 1948. Teresa, Mother Superior of the convent of the Sisters of Loreto, is anxiously waiting for the letter that will finally allow her to leave her monastery and create her new order in response to the call she has received from God.

Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

Summer '76, there's a heatwave and the Swiss countryside is drying out at top speed. In this stifling environment, Gus who is thirteen years old and son of a farmer, sees both his family environment and his innocence relentlessly breaking. He's living the end of a world.

A Macedonian woman throws herself into a traditionally men-only ceremony, kicking up a ruckus and standing her ground.

Burdened by memories of their late father, three sisters struggle to escape the suffocating environment of the dying town of Veles. A contemporary story of urban decay, „Jas sum od Titov Veles“ employs a stark realism to depict the vivid landscape of post-Communist Macedonia.

What would you do if you had 21 days left to live? What do you think you could do? This is a daring film, disturbingly honest, with a chilling melancholy to it, almost uncomfortable to view. Audacious, impulsive, and courageous, the filmmaker stands naked, laying it all out. Do we dare to look? Do you dare to listen when one addresses you so daringly?

Adela (11), a Romani girl from Skopje, lives in a ghetto with her mother and older sister, Zara. When her family faces a financial crisis, Adela’s mother is sure that the only solution is to sell Zara at the bridal market. Adela can’t accept this destiny for her older sister and takes matters into her own hands. After a few unsuccessful attempts to find a job, she decides to join a skateboarding contest even though, in her culture, skateboarding is frowned upon for girls. The only way she can learn how to skate and have a chance to win the contest is if she befriends the gang of skater girls from her school. Adela starts navigating between the two different cultures, where she finds herself caught between two very different models of femininity.

Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.