David B. Lyons

The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.

An octogenarian woman transitions to life in assisted living as she contends with her conflicting relationship to herself and her caregivers amidst her shifting memory, age identity, and desires.

William Brown, a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad. Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.

A snarky critic navigates violent personalities and inflamed egos while incarcerated at a prison for the arts.

When terminally ill Joanna makes the difficult decision to pursue end-of-life options through the Death with Dignity Act, the systems set up to make her death peaceful and dignified yield the opposite.

After an open mic night, JB and KG get a message from Michael Keaton who tells them that the time-space continuum has been disrupted at the Ford's Theater in 1850 and only Tenacious D can fix it.

Follow the lives of a group of students at what is possibly the world’s worst community college in the fictional locale of Greendale, Colorado.

Comedy trio Aunty Donna showcase their uniquely absurd and offbeat style through an array of sketches, songs and eclectic characters.

In 2009, Danny Jelinek and Jason Whetzell teamed up to bring Channel 101 an offbeat, ridiculously well-made series consisting of five short segments from five different creators. Two years later, the show was cancelled. In between, "Everything" set a slew of Channel 101 records and produced a mind-blowing nineteen episodes. Clear your schedule and soak in every episode of this show - it's truly a Channel 101 classic.

What can be said about Yacht Rock that hasn't been said by various magazines, newspapers and disc jockeys across the country? J.D. Ryznar and Hunter Stair's saga detailing the unknown mythical origins of a previously obscure genre of music struck the audience like a lightning bolt on its first episode, much like fellow 101 breakout House of Cosbys. Unlike HoC, however, Yacht Rock was never sued by its iconic characters' real life counterparts. In fact, it is said that at one time or another, just about every musician lovingly portrayed in the series has witnessed and enjoyed it behind closed doors. Yacht Rock enjoyed success on levels and in ways previously unattained by 101 shows, its title becoming a household phrase at radio stations, a bin at your local record store and a category on iTunes. But beneath its pop cultural triumph was an artistic one that often went undescribed: Yacht Rock's stories were always clever and sometimes downright genius in their assembly, weaving trivi...

Here's a history lesson: From April 2007 until February of 2011, Classroom was Channel 101's longest running show of all time. Tyler Spiers created Classroom in January of 2006 writing, producing and directing the first three episodes. With help from the hilarious Joe Davidson, Spiers started the show as a humble, character-driven pilot and it became the most embraced episodic series, schooling the competition for twelve screenings in a row. With its talented cast of Channel 101 regulars, the creative addition of Mike Rose as writer/producer beginning with Episode 4, and frequent plot hi-jinks, the show maintained its status throughout one of the best seasons of Channel 101. Closing the book with it's thirteenth episode, Classroom leaves behind a legacy of five first-place episodes, thousands of happy audience members, and a show that can teach us all a thing or two about Channel 101 success.

When Phone Sexxers premiered in the summer of 2006 the audience granted the simple show about Phone Sex the honor of another episode. Ryan Ridley and Abed Gheith took their good fortune and ran with it, re-inventing themselves with every episode, right up until the end of the 2006 season. They managed to juxtapose the inner workings of the male phone sex industry with situations ranging from high-rise bloodbaths to the depths of hell, and did it with the kind of class and skill that landed the show Best Editing, Best Special Effects, and Best Writing at the 2006 Channy Awards. In January of 2007, Phone Sexxers ended their legacy with a touching self-cancellation that would make Mike Nichols proud.

The Musical broke a longstanding set of unwritten commandments at Channel 101: thou shalt not reference other shows, thou shalt not reference Channel 101 itself, thou shalt especially not admit, on camera, that Channel 101 makes you happy, let alone sing about it. Nevertheless, what it lacked in humility and aloofness, it made up for in devotion, boldness, friendliness, heart and some seriously catchy tunes. Add to that the fact that they bothered to conclude their own story with a tearjerking finale, and you have a masterpiece of meta-tainment and a permanent addition to Channel 101's gilded hall of fame.

Two brothers are reunited after five years to save The Mountain.