Jorane Castro

Three old ladies, Margot, Greta and Isla, sing in burials for money. One day, a corpse disappears, and they become the primary suspects.

Based on testimonials from key characters, such as Dona Onete, Manoel Cordeiro, Pio Lobato, among others, in “Terruá Pará”, director Jorane Castro leads us into a deep dive into the diversity of Amazonian music, providing moments of enchantment and emotion.

Three women with very different views on life and love go on a trip together, leaving from one urban setting to another where crude nature prevails. Eva, a mature and pragmatic woman, invites the free spirited and uncompromised Melina and Keithylennye, a young former Tecno Brega dancer, to join her on the journey. On the way, the events experienced individually by each of the three reveal the uncertainties and the different meanings of the trip for each of them.

Young Deisy (Ana Letícia) dreams of moving to bustling Belém, but instead she lives on Combu Island, across the river, cut off from the city she often admires from afar. Her mother (Dira Paes), aware of her daughter’s longing, wants to help her achieve it — though her husband (Adriano Barroso) is firmly against the idea. Together, mother and daughter hatch a plan to make the dream a reality.

In the near future, the world is ruled by a totalitarist government. In this context, three stories meet themselves and end in the best place to be at the end of the world: the Besta Pop (Pop Beast) party.

The research project aimed to elaborate a typology of cities in the Amazon taking into account differentiating variables such as historical origin, riverside cities, frontier cities and by type of economic activity, among other clippings.

The daily life of the workers in the areas affected by the Grande Carajás Program, in Pará and Maranhão States (northern Brazil).

In the Northeast of Pará, the fishermen who live on Praia de Ajuruteua, in the municipality of Braganca, are passionate about soccer. They don't miss a match for the national team or the teams they support. In addition, every late afternoon, when the sun is already milder, they meet at the different soccer fields scattered around the village, to hit a ball. The fishermen of Ajuruteua take their passion for the national sport so seriously that they always embark with a ball placed on the bow of the boat. When they can, they find their fishing partners on the croas, as the sandbanks in that region are called, for a pelada. There, at low tide, they play football on this ephemeral field, created by nature, before returning to the open sea and facing the challenges of yet another fishing trip.