William Biagioli

In the prison yard, the prisoners play football, dance “capoeira” and talk about freedom.

At the height of Brazil’s military dictatorship, a flight would change the fate of everyone on board. Among the passengers were a mother, her two young children, and militants from VAR-Palmares with a daring plan: to divert Flight 114 to Cuba. Caravelle 114 reconstructs, in fiction, the events behind the hijacking that defied the Brazilian dictatorship.

It's summer and Duda wants to go to the beach.

Maycon is a boxer who trains to return to the ring while sharing his time with two underemployees. Malu's father, the result of a casual relationship he had with Michele, he has his life overturned when he finds himself in the situation of having to take care of his daughter alone. Between the exhausting routine of training and training to survive Maycon's biggest fight has yet to be won: becoming a father.

In Curitiba, a university professor begins researching the Spanish flu. As he gathers photographs, testimonies, and fragments of memory, the investigation starts to slip out of control. Amid immigrant voices, archival images, and echoes of a haunted city, the past returns as an enigma that refuses to fade.

A heavy rainstorm destroyed everything in the land where Jussara and her family inhabited. With no alternative, they moved to a big city.

A man walks 13 blocks through Curitiba, connecting two of the city's most important cinemas.

5 stories of youth in Ponta Grossa, Paraná. 5 perspectives on the landscapes and characters of a city undergoing strange growth. For those who leave, those who return, and those who stay, the future is uncertain and the present is precious.

The film tells the story of Chen, a Chinese immigrant who lives as an invisible person in the city center. Amid homesickness, difficulty communicating in Portuguese and tiredness from work, Chen can't fit in anywhere. At night, alone and when the streets are empty, the asphalt becomes meditation and there he can dream. It is a fiction created and set in real locations in collaboration with the characters themselves, all non-professional actors who play themselves, creating a portrait with documentary aspects, both of their lives and of the center of Curitiba.

Four criminals break into the Cinematheque of Curitiba, determined to screen films that have never been seen before.