Paul Rozenberg

As the Algerian War draws to a close, a teenager with a girlfriend starts feeling homosexual urges for two of his classmates: a country boy, and a French-Algerian intellectual.

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Gene Kelly is a legend of the heyday of the Hollywood musical. His name stands for masterpieces such as "Singin' in the Rain" and "An American in Paris". As a singer, dancer, actor, choreographer and director, he was a true all-round artist who revolutionized the world of dance in particular. Kelly, who loved to experiment, explored new forms of dance expression and helped a whole generation of young talents to fame. From his beginnings in cabarets and on Broadway to his recognition as a choreographer and director, the documentary shows how the good-looking star with a charming smile expanded the boundaries of dance expression: He danced in the open air in the streets of New York, with a cartoon character or his own reflection. But this dazzling entertainer image should not obscure the fact that Kelly, as a staunch supporter of the American civil rights movement, also saw dancing as a political statement.

Juste wanders the streets of Paris looking for people only he can see. He collects their last memory before helping them into the afterlife. One day Agathe, a young woman, recognizes him. She belongs to his previous life. She is alive and he is a ghost. How will they manage to love each other and seize this second chance?

In 1945, two young American soldiers, brothers Budd and Stuart Schulberg, are commissioned to collect filmed and recorded evidence of the horrors committed by the infamous Third Reich in order to prove Nazi war crimes during the Nuremberg trials (1945-46). The story of the making of Nuremberg: Its Lesson for Today, a paramount historic documentary, released in 1948.

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.

Young Zakari lives in a suburban housing project. He accidentally kills one of his friends and must flee, pursued by the "big brothers." His sister, Max-Laure, a drug addict, searches for drugs and then tries to find her brother. Meanwhile, Zakari's brother plays "red roulette ," a car race that involves running the most dangerous red lights.

Portrait of a unique weekly magazine that, for more than fifty years, has been shaking up French society by confronting it with its taboos and unspoken truths.

The main character, Michèle, spends the hour discussing her views of life with some old and new friends, and tries to understand her own feelings about her place in the world and her sexuality, while a camera follows along at close range.

After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. He was not alone. Many other anonymous French men and women wrote of the beauty and warmth of those summer months and how threats of war were far from their minds. Through home movies, diaries and letters, One Last Summer describes the final weeks of peace in France and the mix of blindness, denial and prophetic clear-sightedness of those facing the war that was about to unfold.

Rosemay, 16, lives in a foster home and only joins her biological family for the vacations. One day, her father is not there to welcome her as planned. Moreover, he does not reappear and seems to have evaporated. Her questions are met with lies, and Rosemay can only rely on her intuition.

What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.

Max Schmulevitz runs a gargotte on Rue des Rosiers. Schmulevitz has the bailiff on his back. He is located across the street from Goldenberg's, who is in fierce competition with him. Moreover, Léa, his daughter, falls in love with a certain Christophe... Lebreton, an authentic goy! Max asks a friend to find him an "acceptable" son-in-law.

A feminist legend, a May 68 activist, a famous playwright and poet, Hélène Cixous is the vehicle of this road movie. With friends like the philosopher Jacques Derrida, the artist Adel Abdessemed, with Ariane Mnouchkine and her cosmopolitan theatre company, Cixous explores the wounds our time and allows us to ear the cry of literature. The history of dozens of members of her German-Jewish family who were assassinated in the Death Camps, and the trauma of the wars of decolonization are never far, for this major figure who was born in Algeria shortly before the start of the Second World War.

No Man Is an Island travels across Europe, from the farmers working together in the Galline Felici cooperative in Sicily to the architects, craftspersons and elected representatives who collaborate in the Swiss Alps and in Austria. All are engaged in politics through their work and all believe in a common destiny. Is the local level the last possible place for a viable utopia?

On March 1, 1996, 15-year-old Shafeeq Murrel was killed on the street in South Philadelphia — innocently caught in the crossfire between rival pairs of crack dealers out for revenge. Shafeeq’s murder was one of 435 in Philadelphia that year, and it was soon shelved as a cold case. Then, detectives David Baker and Julie Hill took it on— two middle-aged white cops working a Black neighborhood in their battered Plymouth Gran Fury. Filmed like a taut police procedural, THE SHOOTING ON MOLE STREET chronicles the investigation, as Baker and Hill knock on doors, shake down dealers, and beg, threaten and cajole residents in an effort to get someone — anyone — to talk. Baker rejects any accusation of police racism in the unsolved murders of young Black men. Isn’t he out here trying to close the case? But racism is more complicated than intent.

As Russian writer Boris Pasternak (1890-1960) thinks it is impossible that his novel Doctor Zhivago is published in the Soviet Union, because it supposedly shows a critical view of the October Revolution, he decides to smuggle several copies of the manuscript out of the country. It is first published in 1957 in Italia and the author receives the Nobel Prize in Literature in 1958, which has consequences.

A little boy, "the nameless", lives outside the world in the place he helped shape. He lives there protected and locked up at the same time. One day, sounds and sights from outside awaken his desire to see the world. He flees, pursued by his abandoned creation and terrified of the unknown. He then meets a little girl.

Line watershed falls within the scope of the watershed of the Loire, the source of the Vienna Convention on the Millevaches to the estuary. Watershed, not the Loire river! That is to say the inclined to the sea level, all of the irrigated area, not only the stroke of the river. That is to say, the business areas and wetlands, ditches and highways, meeting rooms and yards. Because water is everywhere, in soil, ground, air, flowing, seeping, evaporating and everywhere connecting the territories between them, indicating their interdependence, making us dream of solidarity. The line of the watershed is not only the geographical dividing line between watersheds but it is also the policy line that connects individuals and groups who have something shared: water, territory, landscape.

Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.

Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

French current affair show

With six centuries of history behind it, the Inquisition stands out as the most formidable system of repression in European history. Documentary-maker Stan Neumann tells the story of the origins and evolution of this ‘police of souls’ – at once secret and spectacular – whose influence is still felt in today’s world.

How the war on terror launched by the Bush administration after September 11 has worsened the threat of terrorism.