Kathleen Wilkinson

A horrifying tale, Suor Angelica is the triptych’s second chapter. In 2012 at the Puccini Plus Festival, the Opéra de Lyon presented Puccini’s Il trittico over the course of several evenings. The plot is set in an Italian convent at the end of the 17th century. In a conversation among the sisters, they confide their final wishes to each other. After telling her own wish, Sister Angelica is falsely accused of dreaming of becoming rich. Damned, her life takes a tragic turn that leads to her death. This brilliant Suor Angelica stars Csilla Boross and Natascha Petrinsky framed by David Pountney’s cold and heavenly staging that recalls the white marble of 17th century convents.

Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?

Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.