Jonathan Frantz

Inuk filmmaker Zacharias Kunuk (Atanarjuat: The Fast Runner) returns with this Arctic epic inspired by the classic John Ford western of the same name, about a vengeful husband who sets off in pursuit of the violent men who kidnapped his wife and destroyed his home.

Accused of heinous crimes and labeled a "terrible savage," an Indigenous businessman-turned-outlaw hides out during a brutally cold winter and evades a bounty hunter who’s also looking over his own shoulder.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

After a mysterious death, Kaujak and Sapa are separated despite being promised to each other at birth. With the help of spirit guides, efforts are made to restore harmony in this Arctic fairy tale set in an Inuit community.

1961. In Kapuivik, an Inuit man named Noah Piugattuk and his compatriots are visited by a white man who says they have to move to a reservation.

Island of Haida Gwaii, northern Canada, 19th century. During a fishing gathering, Adiits'ii commits an unfortunate act. Tormented, he runs away to the wilderness as his mind embraces madness.

After experiencing a traumatic event in Igloolik (an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut), Uyarak leaves her community and family in Nunavut to live in Montréal. When Covid-19 lockdowns close off the Canadian Arctic from the rest of the world, Uyarak is further separated from her closest friend, eldest sister, Saqpinak. This extreme situation blurs the lines of both the fictional lives of the sisters, and the non-fiction lives of the film’s directors, Lucy Tulugarjuk and Carol Kunnuk, who play the sisters.

Parents-to-be Scott and Arianna don’t quite see eye to eye on a few things, particularly that Scott’s best friend, Harold, lives in their basement. And the fact that Harold happens to be a ghost.