Juanjo Moscardó Rius

A love story in the times of programmed obsolescence.

Eva is just passing through Madrid. She spends her days there alone: she doesn't know anyone and isn’t particularly interested in getting to know new people. The city is therefore an unfamiliar place where she wanders aimlessly, her curiosity somewhat dampened. But one afternoon, at the Reina Sofía Museum, a man approaches her. His name is Dante and he is an Argentine historian researching labor struggles in his country and the career of Juan Bialet Massé.

Ana is a filmmaker who gets into crypto trading during the pandemic. Her husband and her father wants her to go to therapy, and Ana decides, as a repair exercise (in desperation), to make a documentary about the bitcoin fever with a producer (more fundamentalist than Michael Saylor), a technical team of new speculators (three to the room) and an economist father (a boomer) who wants to avoid at all costs that his daughter is ruined in a market he does not understand. For him, crypto are the tulip or stamp bubble of the 21st century: a lifelong scam. Ana's story will serve as a trojan horse to delve into the crypto ecosystem through expert testimonials.

Pablo and Blanca have decided to try swinging, but ignore its first and most fundamental rule: to abstain from doing so when things aren't going well in a relationship. To bring this about, Pablo and Blanca each call a friend who is single, Lucas and Mia respectively, thereby ignoring the second cardinal rule: to only swing with another couple.

In this Spanish comedy-drama, a man befriends his wife's lover in an attempt to understand what has happened to their marriage and win her back.