Albert Moya

In American Autumn, New York socialites in their 40s are played by young kids. Two couples are having an intimate dinner, but when an uninvited friend shows up, the evening takes a sour turn.

A series of short films following the interconnected lives on Crosby street, New York City.

A group of young individuals lives confined in a majestic building where a group of uniformed men induces them to perform a series of surreal actions.

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.