Hedwig Tam

Ho Sau, an undercover agent, has been working with Yau, a drug lord, for years, but his job and family are in trouble.

A woman with a seemingly ideal life, Siu Man is abandoned by her husband partly due to her fear of intimacy. After several life crises, she decides to reboot her life by taking over her father’s restaurant. Siu Man eventually finds herself attracted to her new chef, a free spirit who treats cooking as serious philosophy. Tired of the shackles she placed on herself, Siu Man embarks on a journey of self-discovery and sexual liberation.

Wanted criminal "Helios" and his assistant stole a quantity of uranium and plan to produce weapons of mass destruction. They are planning to trade with a terrorist organization in Hong Kong. Chief Inspector Lee Yinming and Inspector Fan Kaming lead the Counter Terrorism Response Unit of the Hong Kong Police Force. Along with a Chinese senior official, a physics professor, and two South Korean weapon experts, they hope to defuse a crisis sufficient to destroy the world.

Years ago, a dragon boat club boatman lost his son in a maritime disaster, a tragedy he has never been able to overcome. The son's girlfriend, who survived the accident, has since started a new family and is now preparing to relocate back to Australia with her husband. How will they all finally find closure and untangle the knots in their hearts?

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

Inspired by the true story of Hong Kong’s first teenage baseball team. In the 1980s, two childhood friends join the Shatin Martins, a Band 3 school baseball team managed by the school principal. From these humble beginnings, the boys experience camaraderie, fall in love and make fateful decisions that resonate throughout their lives amid a changing Hong Kong and its sporting world.

Herman is a computer programmer and the father of a one-year-old daughter. When Lok appears, claiming to be his half-brother and pressing him about their father's death, Herman's everyday life begins to unravel. Then one day, Lok, who has been hovering around Herman and relentlessly triggering his trauma, suddenly disappears.

Story follows Guy and Heidi five years into their relationship and faced with a serious dilemma: Whether or not it is time to marry and form a family. They're equally in love, and their relationship is going strong. But while Heidi is ready to settle down and believes that marriage is proof of one’s everlasting love, Guy holds the belief that marrying Heidi will result in him being tied down to a woman that he will one day grow distant from. Heidi consults her girlfriends for advice, and Guy consults the guys. What follows is an outright battle of the sexes, as Heidi plots devious ways of getting pregnant—with marriage as an end goal—as quickly as possible, and Guy schemes up a handful of contraceptive counter-strategies.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Mrs. Wong knows her husband is carrying on an affair, but for the sake of their marriage and autistic son, she has chosen to silently endure. However, the mistress comes to disturb them, and in the end, Mr. Wong leaves home after a fight. Feeling at a loss and struggling to watch over her son by herself, Mrs. Wong begins to plot ways to take revenge against the mistress, but her plans get discovered by other housewives.

For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

The story revolves around three couples dealing with accidental pregnancy, unfaithfulness, and planning a wedding with a meddling Mother-In-Law. Will they call it quits or remember why they fell in love in the first place?

Underworld godfather Kim, nicknamed Egg Tart, is friendly and sociable. He likes singing more than being the leader of triads. With his principle of peace, harmony and stability, he has won the support of the gang elders. Meanwhile, the cool and handsome Lung becomes a gangster because he is attracted to the cool image of gangsters portrayed in the "Young and Dangerous" movies, and he believes that he has what it takes to be the big boss. To support Lung, his wife sets a trap by trying to seduce Kim in order to obtain the secret of becoming the godfather.

A daughter plans a staycation for her mother’s 60th birthday. Together, they confront years of silence, resentment, and regret, uncovering truths that lead to healing and renewed love.

A pair of lovers, one of whom is a humanoid, go to a robot repair shop hoping to have their relationship mended by the mechanic. On his advice, the human owner Jackie agrees to an irreversible upgrade for Tammy, her humanoid soulmate. However, the results are not as expected. Tammy meets Anima, a fellow humanoid, setting in motion a series of events in a tango between the intangible sense of love, the harsh reality of possession, and the price of independence.

Jing's day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works.

Leung Foon, 52 years old, his life experienced three waves: 1.when Ann made him by the boy into a man that day, 2.he married Ann and become a wife slave, 3.Ann take away their 8-years-old daughter and leave him alone. After these three storms, Leung Foon become Male chauvinism. Now, he is the fair-haired boy of the chairman in a listed company. He will do anything to make money without guilty. The property he had, it’s enough for him to live without worries. One thing that Leung Foon regret is Ann cannot see his “growth”. After Leung Foon become rich, he is afraid to face himself in the mirror. The 4th storm for Leung Foon is his daughter He He suddenly comes back, he doesn’t know how to be a father with a plump figure’s daughter. In Leung Foon’s memory, He He was just 8-years-old girl. He He’s return, made Leung Foon get some change, he can finally face with mirror. Because of He He, Leung foon has the courage to go young again and wayward again.

Chan Shi Kyun (cast by Richie Jen) and Yu Chi Lun (cast by Ekin Cheng) have been long time good friends. They recklessly bought a dishwashing factory on the cheap but discover that the business is in a financial ruin and has no employees while existing contracts must be honored at the risk of financial penalty. To solve their problem, they decided to hire through a social worker so they will be eligible "special social enterprise" government subsidy in this crowd-pleasing comedy.

A loving mother makes a death pact with a spirit by sacrificing her life to save her child. Years later, he grows up and is bullied whilst studying in medical school, resulting in his death. Reunited in death as vengeful spirits, mother and son open up a hell hole to those who had wronged them.

Divorced café owner Kayan lives with her daughter Tung. Her life is renewed after meeting her lesbian partner Shuting who becomes part of the loving family. When Kayan dies in a tragic car accident, the grieving Shuting wants to continue taking care of Tung but encounters strong opposition from Kayan’s mother. At Kayan’s funeral, due to social norms and taboos, Shuting is completely side-lined and stripped of the privilege to bid farewell to the love of her life. She faces yet another dilemma, having to make the decision to do what is best for Tung.

Inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, director and animator Step C. developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.

For Sang-yu, to be rich in Hong Kong means you get to make choices instead of someone making them for you. Hired by giant property developers to buyout ownership of tenement buildings, she earns considerable income and lives the kind of life lauded by mainstream society. During one of the buyouts, she starts to realize the harm her work inflicts upon others. She falls further into a moral dilemma when her boss assigns her a difficult buyout task, a profitable opportunity for her. In Hong Kong where real estate is considered above all else, the grassroots are left to fight for survival in desperation.

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

Twenty years ago, Takeda Kunizen secretly saw his father presenting a scroll to his younger brother Kosho. Kokatsu believed that the scroll contained "martial arts secret techniques". One day, a new immigrant, Xiaoyue, was bullied. A quasi-Olympic karate player, Zhuang Hui, got involved. Zhihao, a gangster who was put on a horse by a gangster, was involved. He was just passing by to stop the fight.

As a long-standing bar prepares to close, owner Hung and his young staff member Yip set out to return unclaimed bottles of wine to their owners. Through these encounters, Yip learns the deep connections between the wines and their stories, gaining insight into Hung’s philosophy. Alongside veteran bartender Bill, passionate mixologist Grace, and singer Adam, they create lasting memories for their customers in the bar’s final days.

The art film “Looking Away” can make him a success. On the field of love, Qiu’s relationship with his girlfriend Enni is okay, but he always worried that Enni would leave him. One day, Qiu Haifan, Qiu’s grandfather, suddenly appeared. He was troublesome by nature, making Qiu’s life difficult.

Li Ziyong Thomas was born in poverty. When he was young, he worked hard to earn his mother's medical expenses. He met Sammy Fang, a girl who also worked in a tea restaurant, and became good friends since then. After his mother passed away, Thomas opened a restaurant, the business was good, and he worked hard with his friend and partner Sammy. One day, Thomas meets He Leer Joyce who he met in Belgium again. The two hit it off and soon walked together...

Li Bai lived with Shihao in the countryside since he was a child, like a wild child. According to Shihao, Li Bai's mother turned out to be a big star! By chance, Li Bai went to the city to look for his mother, but of course he found out that everything was just a lie. From then on, Li Bai decided to leave Pingao Bay, and later established a tutoring kingdom with his good brother Yan Jiadong, and embarked on a completely different path from Shihao. Now, both career and family suddenly collapsed, and Li Bai returned to Pingao Bay, unexpectedly, Shihao directly asked him to be the vice principal. In this way, facing different educational problems, Li Bai started one after another, a unique class. In the process, Li Bai gradually integrated into rural life, and cultivated a good relationship with every student as both a teacher and a friend. Li Bai finally understands Shihao's educational philosophy: "Life itself is the best education lesson."

The story is about the future in Year 2060 where a Time Limit Law is implemented in a certain country. Everything that is done including dating is limited by time. The protagonist realizes the Law was created to control the people's means and joins a revolution to overthrow the Time Limit Law.