Sound

William Hutson

No biography available.

Known For

Room 237Room 237 · 2012
Room 237
6.12012
MovieDocumentary
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
Clipping: Splendor & MiseryClipping: Splendor & Misery · 2016
Clipping: Splendor & Misery
6.02016
MovieScience FictionMusic
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
ten minutes is two hoursten minutes is two hours · 2013
ten minutes is two hours
2013
MovieDocumentary
This short-form documentary video shot in South Sudan, is both a work of and a commentary upon cultural exploitation. It is a self-consciously “cinematic” recreation of a journey through a land plagued by the ghosts of colonialism and the present anxiety of conflicting religious and political agendas - both of which can often seem one and the same. Evoking a surreal sense of place, both very present and very distant, the video depicts the hazy lines between notions of “foreign aid” “missionary practice” and “colonialism,” and shows the ways history has of recycling itself. The essayistic, experimental nature of the work is inspired by the politically charged silent-era montage of Dovzhenko, Vertov, and Eisenstein and the later impressionistic film and video works of Marker and Godard.
The MayorThe Mayor · 2017
The Mayor
6.12017
SeriesComedy
A struggling hip-hop artist runs for mayor to promote his mix-tape and wins.

Filmography

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ten minutes is two hoursten minutes is two hours · 2013
ten minutes is two hours
2013
MovieDocumentary
This short-form documentary video shot in South Sudan, is both a work of and a commentary upon cultural exploitation. It is a self-consciously “cinematic” recreation of a journey through a land plagued by the ghosts of colonialism and the present anxiety of conflicting religious and political agendas - both of which can often seem one and the same. Evoking a surreal sense of place, both very present and very distant, the video depicts the hazy lines between notions of “foreign aid” “missionary practice” and “colonialism,” and shows the ways history has of recycling itself. The essayistic, experimental nature of the work is inspired by the politically charged silent-era montage of Dovzhenko, Vertov, and Eisenstein and the later impressionistic film and video works of Marker and Godard.

Sound Designer