Alek Surtov

It's Saturday night and Mrdja, Piki and Sale want to have a good time. Everything they need is a robbery, a party and a gun.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.

Set ten years on from high school drama Next to Me, this film places the former classmates in unfamiliar territory, both physical and psychological.

After being attacked by a group of masked hooligans, Olja discovers that some of her students were responsible. She decides to teach them a lesson by locking them in the school building and confronts them.