Jahangir Mirshekari

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task because he needs the money, but his new associate soon tries to talk him out of committing suicide.

An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Hossein Moradi, a 60-year-old worker from Abadan, has many times been forced to fire his colleagues in the shipbuilding factory on the employer’s order. However, this time he decides to create a chance for the workers by drawing lots. He also volunteers to be fired so to save ones place. One of the workers protests and gets into a fight with Hossein. A few days later his children give him a ticket to India to visit with his wife. But after a coulpe days someone breaks into his house steals the compensation money and the tickets. Hossein suspects that angry worker.

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection due to deep regrets regarding the child whom she has abandoned.

Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.

Sara is the perfect young housewife. When husband Hessam requires an expensive emergency operation abroad, it is she who works for the funds. For the next three years she labors secretly to pay the shady loan shark and save Hessam - until the truth is revealed and with it, the reality of her marriage.

A young divorcee living with her son in a small northern city of Iran, wants to marry the man she has fallen in love with. According to the current rules, the father has the custody of children; however, her ex-husband has granted her that right on the condition that she doesn’t remarry. Struggling to keep both of her beloved ones, she has to think about the third option: Temporary Marriage (Sighe). However, this will get her into a predicament, as despite its being legal, Sighe is not well-received by the society at all. Would temporary marriage be a good solution for her?

Mahmoud is suffering from writer's block and he is unable to continue the book he is currently working upon. He decides to take a break from his routine life and plans to visit his family's rural estate that is situated at north of Tehran. He also intends to complete his book in this visit. While at the estate, Mahmoud's attention is brought to the old Pear Tree that is situated behind the estate by the old gardener of the estate. Seeing the Pear Tree, Mahmoud thinks about his past - his infatuation towards his 14-year-old female cousin known only as M, his adolescent dreams, how that changed over the years. The rest of the film chronicles thoughts of Mahmoud and his past.

Barfa and Nader meet each other and get marry but little by little their life begin to reach it's crisis levels.

A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.

A documentary about Bahram Beyzai (Persian: بهرام بیضایی; born 26 December 1938). He is an Iranian playwright, theatre director, screenwriter, film editor, and ostād ("master") of Persian letters, arts, and Iranian studies.

A woman comes back from Paris to her country after a long time. She meets a man that she hardly knows, but he knows a lot about her life.

A satirical comedy about the oddball inhabitants of a Tehran apartment building and their landlord.