Andreas Bolm

An ageing hippie couple, settled in a hermitage on the edge of a forest, far away from the outside world. A boy, aimlessly wandering the forest, seeking shelter. And the story of a never-ending escape from catastrophy.

The present, past and future of the conquest of the city known as Buenos Aires.

A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.

They are patients in a psychiatric hospital in Romania and marginalized persons whose social status has been removed. You think they will only say crazy things, but you don't want them to be like ordinary people, be good, love, and even create often... It's just that all this is confined to the hospital wall. The title is a gimmick, just one sentence from a song sung by the patient in the film.

Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.