Pablo Hoyos

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A movie crew shooting a film featuring a comic-strip hero named The Sexy Cat finds itself stalked by a serial killer who begins murdering the cast and crew.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

A Nobel prize winner returns to his natal city looking for his home.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.

In a fictitious South American country there's lots of political tension, the labor-unions have all their members on strike. The public demands the return of politician B. from exile. However private trucker Pal can't afford to strike, so he's beaten up and his truck burned. In the headlines he's described as strike-breaker. This is only part of an intrigue which shall get him to murder B.

Biography of Julian Gayarre (1844-1890), one of the best tenors of all times. At 19, a professor at the Conservatory of Music in Madrid heard him singing for the first time and offered him a scholarship to continue his studies. His artistic life runs between continued success, becoming the world's greatest tenor. But in 1890, while singing at the Teatro Real in Madrid, a failure in his voice is like a cruel reminder of what would happen a few days later: his death at a young age. The doctors gave a diagnosis, but his friends know that Julian Gayarre died because he could not sing anymore.