Dorian Rossel

For twenty-four hours, Geneva becomes the living backdrop for a contemporary drama: by day, a place where life is good; by night, a refuge for the marginalized. Five characters will meet there, connected by the night shift of a pair of cops. Hans, a police officer nearing the end of his career and worn down by life, tries his hand at compassion, while Dan, his young partner, struggles between prejudice and discovering the other.

Geneva train station. A woman leaves for Marseilles to give a conference. A man is on his way to Berlin to discover his new born child. A young woman is off to live in Naples. When one person invites itself to take a seat next to someone else, a new reality can start off. Three people meeting, three life stories which switch on the platform of a railway station.

A film by Séverine Barde, adapted from Dorian Rossel's play, based on Ingmar Bergman's fictional autobiography. A powerful self-portrait, at the crossroads of theater and cinema, from the collection De la scène à l'écran.