Jean-Marc Henchoz

This documentary follows various migratory bird species on their long journeys from their summer homes to the equator and back, covering thousands of miles and navigating by the stars. These arduous treks are crucial for survival, seeking hospitable climates and food sources. Birds face numerous challenges, including crossing oceans and evading predators, illness, and injury. Although migrations are undertaken as a community, birds disperse into family units once they reach their destinations, and every continent is affected by these migrations, hosting migratory bird species at least part of the year.

In this sequel to Les Bronzes (1978) summer has passed, but that doesn't mean the fun has to end for Bernard, Nathalie, Gigi, Jerome, Popeye, Jean-Claude, and Christiane.

Two men, with vastly different life stories and personalities, embark on a hearse heading to the South of France. During their journey they realize that, however unlikely, they're not so different in the end.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

In the 1960s, orphans from Reunion Island were deported to France to repopulate a department where rural exodus was rampant.

Jean-Pierre is a literature professor in Switzerland. Due to the vagarities of Swiss law, he is selected, basically at random, to be the guardian of a parentless teenage boy named Antoine. Conflict comes into the story as Jean-Pierre, who has just accepted a major promotion, must now deal with caring for a teenage boy he doesn't want to care for, as well as handling his own jealous boyfriend. Then his wife steps into the picture. Things get complicated from there as Jean-Pierre tries to get out of his guardianship.

Madeleine, who runs a disco on the French-Swiss border, dreams of going to Paris to pursue a singing career. Her lover, Paul, who makes his living smuggling money, gold and goods across the border, plans to emigrate to Canada. Mali, a pretty young Algerian woman who lives in France and works in Switzerland, would like to be anywhere except where she is. Louis, born on a Swiss farm and trained as a clockmaker, would give anything to leave his mistress, Lucie, and move in with Mali.

Fifteen-year-old Camille is a vulnerable and a strong-willed seductress- she chooses, she takes, she leaves; she can go very far in her desire for freedom. She is the daughter of disunited parents, Armand, a professor and Colette, an intellectual bourgeois. She manages to seduce Jean-Louis, a professor of letters of thirty-seven years, friend and colleague of her father. She makes him commit a lot of extravagance - he even dyed blond. Later she had a passion for Samuel, a former student of Jean-Louis, lout and trafficker. She is not easy, men learn at their expense, either sentimentally, as with the teacher, or that the first sexual experience come to ignite the relationship with Samuel.

In 1955, a year after the birth of the National Liberation Front (FLN), Mahmoud was expelled from Algeria by the colonial authorities who feared his revolutionary speeches. At the age of 27, he arrived in the Algerian slum of Nanterre. Roughly questioned by FLN activists, in disagreement with the Algerian Nationalist Movement (MNA) who wanted to recognize theirs, he was then accepted as the local hairdresser and shoemaker. Subsequently, he became a driver during anti-MNA expeditions. Accepting increasingly dangerous missions, he is imprisoned by the French police and once again undergoes interrogations and special treatment by the police which will definitively undermine his sanity. One day, he no longer recognized his companions, and when joy broke out among the FLN militants, at the announcement of the signing of the Evian Accords, Mahmoud remained alone, frozen in an attitude of refusal, walled in his madness. Algeria has just won its independence.

Two men and a young girl meet at the end of the world

This French thriller begins with a flashback to a small village dance where a six-year-old girl is kidnapped and killed. Seventeen years later the murder remains unsolved. The girl's parents Caroline and Chris have gone on with separate lives Caroline remarried and had another daughter while Chris became an alcoholic. The two are thrown back together when each begin receiving strange messages that imply their daughter has returned from the dead for vengeance. They contact a police detective (the lover of Caroline's best friend) who finds the case intriguing and decides to reopen it. Unfortunately, as soon as he begins questioning the old suspects, people begin to die.

Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.

This symbolic drama from director Benoit Jacques underscores the characters' human need for affection. Children steal lemons for the thrill, while women steal other women's men from them just to prove they can. Drug smuggling, clandestine love affairs, and two lovers involved with the production of Shakespeare's Othello carry on with their own off-stage tragedy.

Martin, a sculptor, is dying in his bed on a barge that floats along a fog-shrouded waterway. As he agonizingly descends into a final oblivion, his second wife is at his bedside, comforted by his first wife -- also present.

A postman in a small mountain village finds a woman and her son both dead in the "grotte aux loups" (cave of wolves). He soon begins to realize than it's not natural death, and that someone in the village in behind their murder, while tragic events occur.

Antoine leaves his new bride behind to go on a skiing excursion with his uncle up the mountain behind their village of Derborence. Nine weeks after an avalanche apparently buries them alive, Antoine returns home. Certain that his uncle has also survived, he resolves to go back up and look for him—leaving his now-pregnant wife behind once more.

A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.

A film in the first person, in which the son casts a both tender and cruel gaze on his father, a minister in the canton of Vaud at the end of the 20th century.