Sudhakar Reddy Yakkanti

Kabir and his family's fun weekend retreat takes terrifying turn when an intruder takes over the control of the body of his teenage daughter, putting her at the mercy of his increasingly sinister orders.

Under investigation as a suspect in her husband's murder, a wife reveals details of their thorny marriage that seem to only further blur the truth.

A newly-wed couple moves to a new house where they begin to witness some eerie activities. Things take an unexpected turn when a boy informs them that a spirit lives in their house.

After a mother's sudden death, chaos and grief collide when four adult siblings return to their traditional father's home for the funeral.

The lustful spirit of Captain Raju stalks Mohini till the end in this continuation of the first part. A true part 2 in the sense that the second part picks up from exactly the same shot from where the first part ended.

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

Sanjay (Sumanth) is an extremely practical guy who believes in nothing but logic and reasoning. He listens to his mind and ignores his heart. Hamsa Vahini (Sneha) is a girl who believes strongly in human bonds and trusts everybody easily. Hamsa likes Sanjay immensely and proposes to marry him. Sanjay too accepts the proposal. In a casual chitchat, Sanjay reveals that he does not love her though he is marrying her. He feels that it is a marriage of convenience and practicality. Sanjay's confession hurts Hamsa and she cancels the engagement. As Sanjay slowly realizes the power of love and starts missing her, Hamsa becomes pragmatic and practical due to her family related circumstances, and ignores his pleas for forgiveness. The rest of the story is all about how she finally accepts Sanjay's love.

In a dystopian future, Ganapath, a relentless and skilled vigilante, embarks on a mission to dismantle a powerful criminal empire that has gripped the city in fear. Ganapath becomes a symbol of hope for the oppressed in which leads dark.