Silvia Costa

Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.

Milano 2, a residential neighbourhood on the outskirts of Milan. Built between 1970 and 1979 as a utopic city, it was Silvio Berlusconi’s first ambitious urban project. An area that today, at first glance could look like an anonymous suburb was once the laboratory for the imposition of a new lifestyle, which in the decades of “Berlusconism” spread at a national level and radically transformed the Italian culture.

Inspired by Mark Rothko’s refusal to complete commissioned work in New York’s Four Seasons restaurant. A highly stylized, visually stunning exploration of absence, negation, and solitude.

When he sings, the animals stop and listen; Orpheus can literally melt stone. To find Eurydice, who disappears on their wedding day, this master of harmony must charm the underworld with his musical talent. Orpheus’s appeals convince Pluto to free Eurydice, under certain conditions. But when this gifted and infallible hero fails, he must live on with the consequences.

Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.

Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.

Trapped in an unhappy marriage, a woman mourns the devastation of the forest around her. An unexpected affair instigates an explosive metamorphosis, and she finds perfect release as a tree. But the world is a dangerous place for trees, and deep in the forest a forester and a student lay claim to a body of wood and leaf - one for money and one for love. A subversion of Ovid’s Metamorphoses, Like flesh is the fruit of a collaboration between a group of committed young artists. The Israeli composer Sivan Eldar creates an intriguing sound world by combining orchestral and electro-acoustic music. The British playwright Cordelia Lynn is already well known in English theatre circles for, among other things, her collaboration with Katie Mitchell to re-stage The Tempest.