C S R Anjaneyulu

Venu enlightens the villagers against Sagarayya, a greedy landlord who grabs barren lands of the village, and reports to the Collector. Sagarayya creates a rift between Venu and his father which affects his sister's marriage. Venu starts living separately with his wife Radha. The film shows the revolt of the villagers against their oppressors

Balarama promises Subhadra that he'll marry his daughter to her son. But when the Pandavas lose their kingdom to the Kauravas, Balarama breaks his promise.

Mayalokam is a 1945 Telugu-language film produced and directed by Gudavalli Ramabrahmam under the Sarathi Films banner. It stars Akkineni Nageswara Rao and S. Varalakshmi.

Follows the story of a freedom fighter couple, Santhamma and Dharmarao, during the British Raj.

Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.

Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.

Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.

A crooked wealthy man has cheated a gullible poor woman and meanwhile an aristocratic self-possessed woman is being flirted by a responsible officer, an ideal for modern India in this "social guidance picture".

Venkatesam decides to get his nine-year-old daughter married to a rich old man, Lubdhavadhanlu, for large sums of money. However, Karataka Sastry decides to teach a lesson to them.

Ramu changes his identity to help Roopa as she gets disabled because of him.

Janaki, an educated and progressive woman, often challenges the orthodox beliefs of Somalingam, a conservative bachelor who dislikes modern women. When her stepmother arranges her marriage to her cousin Ramana Rao, who abandons his lover Lalitha for the alliance, Janaki runs away and seeks refuge in Somalingam’s quarters. Rumors spread about their relationship, leading to both being thrown out. Disheartened, Somalingam joins an ashram, while Janaki faces hostility from locals and eventually ends up there after being assaulted. As Somalingam nurses her back to health, the two gradually develop feelings for each other. Meanwhile, Ramana Rao arrives with the police and takes Janaki away. In the end, misunderstandings are resolved, Somalingam abandons his rigid views, and Janaki’s father approves their union. The story concludes happily with the marriage of Janaki and Somalingam.

Bhishma is a 1962 Indian Telugu-language Hindu Epic film, based on the life of Bhishma from the epic Mahabharata.

Khayas falls in love with Laila but her father refuses the alliance, which leaves Khayas heartbroken. Things take a turn when Laila then moves to Mecca.

Chakrapani, a miser, decides to save a large sum of money to gift it to his great-grandson. But he faces many hurdles while trying to achieve his objective.

The film told, apart from the main story of the friendship between Krishna and Kuchela, a few sequences from the Bhagavatha

When asked by the king what his ambition is, prince Pratap says he wants to marry four celestial maidens. The angered king exiles him and Pratap sets off on a quest to find the maidens.

When Prachandudu kills Chandirani's mother and imprisons her father who is a king, she decides to eliminate him to avenge her mother's death and to save the people of the kingdom too.