C S R Anjaneyulu

Venu enlightens the villagers against Sagarayya, a greedy landlord who grabs barren lands of the village, and reports to the Collector. Sagarayya creates a rift between Venu and his father which affects his sister's marriage. Venu starts living separately with his wife Radha. The film shows the revolt of the villagers against their oppressors

Balarama promises Subhadra that he'll marry his daughter to her son. But when the Pandavas lose their kingdom to the Kauravas, Balarama breaks his promise.

Mayalokam is a 1945 Telugu-language film produced and directed by Gudavalli Ramabrahmam under the Sarathi Films banner. It stars Akkineni Nageswara Rao and S. Varalakshmi.

Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.

Chakrapani, a miser, decides to save a large sum of money to gift it to his great-grandson. But he faces many hurdles while trying to achieve his objective.

Janaki, an educated and progressive woman, often challenges the orthodox beliefs of Somalingam, a conservative bachelor who dislikes modern women. When her stepmother arranges her marriage to her cousin Ramana Rao, who abandons his lover Lalitha for the alliance, Janaki runs away and seeks refuge in Somalingam’s quarters. Rumors spread about their relationship, leading to both being thrown out. Disheartened, Somalingam joins an ashram, while Janaki faces hostility from locals and eventually ends up there after being assaulted. As Somalingam nurses her back to health, the two gradually develop feelings for each other. Meanwhile, Ramana Rao arrives with the police and takes Janaki away. In the end, misunderstandings are resolved, Somalingam abandons his rigid views, and Janaki’s father approves their union. The story concludes happily with the marriage of Janaki and Somalingam.

Ramu changes his identity to help Roopa as she gets disabled because of him.

A crooked wealthy man has cheated a gullible poor woman and meanwhile an aristocratic self-possessed woman is being flirted by a responsible officer, an ideal for modern India in this "social guidance picture".