Ramayan Tiwari

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

This was the first of the two films based on the same mythological story directed by B.K. Adarsh, featuring his wife Jaymala as the female lead, and having the same title. The second film, released in 1970, featured Pradeep Kumar as the male lead and was produced by Jaymala. This film had Prithviraj Kapoor in the lead role and was produced by Adarsh himself.

A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

A lawyer's wife dies in his arms. Yet, another woman - identical in appearance and accused of aiding a gang of bandits - claims to be the lawyer's wife. A courtroom drama ensues.

After the death of his wife, a policeman fails to up-bring his only son in a good way and spoils him. This creates serious repercussions once the child becomes an adult.

Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.

Ramesh, a widower, remarries for his daughter's happiness, but financial crises force him to choose between love and stability.

Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

Bansari Bala is a movie released in 1957.

Maanav is an orphan who was brought up by a Catholic Priest. After completing his M.A. he returns home and finds out that his mentor is dead. He re-locates to Bombay and a man named Gopichand Sharma attempts to steal his luggage. The men become friends - Gopichand eventually changes his lifestyle, decides to be honest. Maanav gets him a job with Hercules Milk Foods. Maanav meets with and falls in love with the daughter of the owner of Hercules Milk Foods, much to the chagrin of her Dad. Then one day Maanav disappears from Gopichand and Kaajal's lives. He re-locates to Simla and it is here that he learns that things have spiraled out of control.

A man, after marrying an heiress, plots his wife's murder and deserts his daughter, only to be shocked when his estranged daughter returns home years later.

After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.

Raised by a kind matriarch, Madhavi (Meena Kumari) shares a close bond with her foster brother Rajesh (Dharmendra). When Rajesh marries the insecure Bhanu (Padmini), Madhavi faces false accusations and attempts suicide. Rescued by Moti (Raaj Kumar), she marries him, only to discover his manipulative and exploitative true nature, leaving her trapped in a life of further sorrow.

Gangaram, a farmer, has two younger step-brothers, Moti and Shivram. Supported by Gangaram, Moti has gone to Calcutta to be a lawyer, while Shivram is an illiterate farmer like Gangaram. A series of unfortunate events leads to an estrangement between the three brothers while they face the threat of losing their land to a local greedy moneylender.

Ranjit is the right-hand man of a gangster named "Uncle". He has been working for him since he was a runaway child, and excels in all of kinds of criminal activities, currently managing a night-club called "Playboy". He meets with beautiful Anju and both fall in love with each other. Then he finds out that Anju is not who she claims to be but someone hired by Pratap to be close to him, entrap him, and get him killed. But that does not happen, Ranjit survives, rescued by Anju, and he helps her free her brother, Rakesh, from Pratap's clutches. Then some priceless jewelery is placed on display, and a number of gangsters decide to try and steal them, knowing fully well that there is a 24 hour police guard, as well as an alarm system. It is after this robbery that the past will be re-visited and it is then a number of people, on whom Ranjit has depended upon, will come to know of his real background, including the murder he committed before he started his career as a criminal.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

Concerned over the rising death of low-caste people in a remote town in India, the Central Bureau of Investigation assigns this task to Inspector Ravi Kapoor and instructs him to go incognito to investigate these deaths. Upon arrival, Ravi is received by Collector Rahu Nath, to whom Ravi introduces himself as a Horticulturist. Thereafter Ravi lives in a small house that was owned by a man named Mohandas, who had died under mysterious circumstances. Mohandas' children, Tulsi and her brother live there now. Ravi and Tulsi fall in love with each other, Ravi offers them all possible protection if Tulsi and her brother help him with the investigation, to which Tulsi agrees. Before Ravi could take any steps he is arrested by the local Police Inspector Thakur and lodged in a cell. And the only way he can get out by revealing his identity - which can seriously jeopardize the entire investigation.

A fictional account of the real life struggle against the British East India Company.

A lighthearted comedy film directed by P. L. Santoshi. It's described as a "flippant and clownish farce" that focuses on humorous situations, particularly involving a "boy and girl" dynamic.

While helping her friend evade a blackmailer, a woman fears she might have committed manslaughter.

Indian horror movie from 1969.

A runaway bride promises her dying widowed friend that she will assume her identity and look after her infant child.