Eneko Sagardoy

A young woman from a traditional family learns she's intersex, sparking a journey of self-discovery, gender identity and love found in unexpected places.

Basque Country, Spain, 1843. A police constable arrives at a small village in Álava to investigate a mysterious blacksmith who lives alone deep in the woods.

An orphaned girl named Atenea lives in isolation with other children. When adopted by a family, she glimpses a chance at belonging, but her fear of losing this newfound home drives her to extreme measures.

Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events.

SOLO is a project in which the main character, played by Eneko Sagardoy, makes an instrospection exercise and suggests a different view of loneliness. He wonders why we always insist on avoiding it, and sets the conclusion he ends up reaching.

Western Pyrenees, year 778. When his land is threatened by the ruthless armies of the Frankish emperor, a Basque warlord asks for help from his ancestral gods.

After losing their mother, Mía and Moi take refuge in a ramshackle family home, in the countryside, in the middle of nowhere. With them, Biel, Moi’s boyfriend. Together the three of them try to rest and heal the wounds. Especially in the case of Moi, who is recovering from a severe nervous breakdown. These are days of recovering family memories, some of them painful, of meeting again, of living without haste. The arrival of Mikel, Mía’s boyfriend, will alter the coexistence and disturb each of the inhabitants of the house in different ways. The tension grows until it explodes in an act of violence with irreversible consequences.

Leo and Lorea have loved one another. Maybe they still do. But something in them has broken. After five years, their relationship is done. He looks after his sick father, trapped between responsibility and an emotional void that weighs him down. She, caught up in poorly-paid jobs and personal crises, tries to get her life back on track without really knowing where to begin. They are two bodies, tired and alone, pierced by their precarious situation, by unresolved issues, by the emotional legacy of a generation who always seem to come late to everything: to love, to stability, to maturity, to serenity, to personal satisfaction.

Álava, late 19th century. As the Third Carlist War rages, several women are found strangled to death on the outskirts of Vitoria.

A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.

An Argentinian girl returns to her natal town on Basque Country to discover who killed her father.

Jack wants to prove to his wife Alma, that he is a new man after his drug abuse and time spend in prison. He is offered new job as a night watchman of an old mine complex, which he accepts without a question. What no one knows that the dark place holds a disturbing secret that will fill their lives with terror.

When Miren recognises Elena, who is driving a rental car, she starts chasing her on the road.

Elena, a fisherwoman from the Empordà region in Catalonia (Spain), struggles to keep alive the craft inherited from her family, but it becomes harder every day, and her livelihood risks disappearing.

Ainhoa is born by chance in La Paz (Bolivia); but she grows up in Cuba and, at the age of 21, in 1988, she travels to the Basque Country (Spain) to discover the land of Manex, her father. In the midst of political struggle, she meets Josune, a committed journalist, and her group of friends.

An oracle in the Paris of May ’68 and the back of a stranger in a Madrid nightclub in the early 1990s. Interwoven stories bound by a gentle attraction, as though desire permeated everything and the only law was that of necessity.

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs him down and the feeling of guilt prevents him from being able to settle down and peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth.

Human bones are found at the Garizmendi farmhouse. Farmers Fermin and Karmen call their son Nestor, who reports the matter to the authorities. But, when the agents turn up, the bones are gone. Suddenly, the bell on the nearby chapel begins to peal. This bad omen announces the coming of tragic events and reopens old wounds within the family and those around it.

In the mid-1980s, the GAL, a Spanish paramilitary group, pursues and assassinates members of the terrorist gang ETA who have taken refuge in the sanctuary they have created in the south of France. Grégoire Fortin, advisor to the French Minister of Justice, and Domingo 'Txomin' Iturbe, leader of ETA, are forced to negotiate in order to find a solution to the violence that plagues the region.

Ernesto is unappreciated by those around him, but all of that will change when three, peculiar, new friends appear on the scene. They will do anything to help him get his self-esteem back, even if it leads him to prison... or an early grave.

A single-shot piece starring Oriol Pla and Eneko Sagardoy that celebrates everything there is between two normalities: the one that was and the one that will be.

It centers on the ethical and moral dilemma of a gudari (soldier) who is torn between continuing his duty as a soldier, or to abandon his position and comrades and return home with his wife.

Two strangers, Doroty, a domestic employee from Central America aged around 45, and Mari, an elderly woman who is hard of hearing, are forced to spend the lockdown together to prevent the spread of coronavirus.

Karmele is a Basque nurse exiled to France towards the end of the thirties. There, she meets Txomin, a master trumpeter, with whom she shares a love story and political commitment between Paris, Caracas and the Basque Country. Together, they build a family and seem to have a great mutual understanding; until the time comes to choose between loyalty to family or ideas.

Within the spectacular, complex and corrupt world of gladiatorial sports in Ancient Rome, follow an ensemble of diverse characters across the many layers of Roman society where sports, politics and business intersect and collide.

Goenkale is a Basque soap-opera, produced by Pausoka Entertainment and ETB, which is broadcast every Monday and Tuesday on Basque Radio-television's first channel, ETB 1. Set up in an imaginary Basque seaside town, the title of the serial is the name of the main street in that town. First broadcast in 1994, almost 3,000 episodes have been made so far, and it is one of the most successful programmes of ETB 1. In the beginning every chapter lasted 30 minutes and they were broadcast from Monday to Friday. Then the Friday episode was removed. Since 2004 two one hour long episodes are broadcast every Monday and Tuesday. Then thirty-minute episodes are repeated in the afternoon everyday.

A look at the impact of Spain’s Basque conflict on ordinary people on both sides, such as the widow of a man killed by the ETA who returns to her home village after the 2011 ceasefire between the separatist group and the Spanish government, and her former intimate friend, the mother of a jailed terrorist.

Spain, 1968, an ambitious television executive is tasked with winning the Eurovision Song Contest. Massiel's catchy "La La La" triumphs with an iconic performance. This is the story behind that unexpected victory.

Inspector Nerea Garcia is sent to a small fishing village to investigate the disappearance of a skipper. She will soon realize that it is not a routine case and that nothing is what it seems. The past is always unpredictable.