Ko Lo-Chuen

Police Commissioner Fong (Roy Chiao) enlists the chivalrous female bandit Muk Lan-fa (Suet Nei) to retrieve the latest gadget that emits deadly laser beam and its protocol before it is smuggled out of Hong Kong.

Hong Kong martial arts / horror.

A 10-year-old Bruce Lee stars as Kid Cheung, an orphan boy who sells comics in a little stall in the slums to survive. He and his two siblings are looked after by his Uncle Ho, a teacher. When the wealthy Hung Pak-ho surveys the slums to build a school for orphans, he is robbed by the vicious Blade Lee and his gang. Cheung helps Blade Lee escape and earns his friendship, but Uncle Ho convinces him to return the gold necklace Lee stole. Hung rewards Ho by hiring him as his private secretary.

When a young street thug becomes friends with the headmaster of a school, he gives up the triad life to enroll in the school.

Tina Ti leads a star-studded cast in this hilarious farce as a pickpocket who, while fleeing the police, stumbles into an apartment occupied by seven single men. All hungry for a woman's affection, the men agree to take her in. However, what she doesn't know is that each of the men is coming up with ridiculous ways to have their way with her. A surreal comedy about sexual repression and sexual fantasies, the film mocks the desperate measures people take in the name of sexual gratification. Even though it is an erotic comedy at heart, it is never lewd or exploitative. In fact, like other Cantonese films at the time, the story even ends on a moralistic note as Tam Bing-man's character convinces the pickpocket to turn herself in and mend her ways.

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Buddhist Spiritual Palm Returned

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

Kau Yuk-kuen is delivered to safety by the mythical condor with one of the tripods while her foster father, Ku, continues the fight until his last breath. The Three Evils brutally beat and cripple Auyeung to intercept his scheme to appropriate the tripods but fail to prevent him from shoving two of them down into the deep valleys in frustration. Finding themselves no match for the Three Devils, the fellowship seek help from Lau Piu-piu. But the master declines out of a grudge against Suen Bik-ling with whom she was locked in a bitter love triangle which resulted in disfigurement of her face. Undaunted, they embark on a perilous journey in quest of the tongue of a mythical dragon and eyes of a crimson python for her cure.

Yu Sung Chi was separated from his wife and young daughter during the war. When he fled with his eldest daughter Yu pak Mei, he adopted the orphan Ho Chi Kwong. He cultivates light and becomes talented, and even wants to marry roses to Kwong. When Kwong was preparing to open a branch factory, he fell in love with his secretary Yu Bik Lin, and later decided to marry Lin. Mei wanted Lin to leave Kwong, Lin wanted Kwong's future, left a letter and left, but Kwong published a newspaper to search for her, but to no avail. On the day of Kwong and Mei's engagement, they received news from Lin. Kwong resolutely gave up everything to be with Lin. Yu visited Lin and asked her to leave Kwong, but when he saw a photo of Lin's mother, he realized that Lin was his lost daughter. Mei learns that Lin is her biological sister and decides to let Kwong go. A few years later, Kwong and Lin realized that Mei had a happy family.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

The Fragrant Sword is a Hong Kong Martial Arts movie starring Stanley Fung. Yu Lap-chung has been executed for the murders of martial alliance members when the black-clad assailant to blame is still roaming free. Apprehended by the murder threats to the helmsman of Emei and Xueshan, Golden-clad Ambassador of the alliance solicits help from the security escort master Wai To, Yu in disguise spared from execution by his master who had a rapist stand in his place. The fake scholar ingratiates himself with Ai Ching-yee, daughter of the Mulberry Pillar Fortress helmsman Ai Pak-chuen and exposes the father's conspiracy with his sworn brother to rule the martial world by dispatching Ching-yee's senior disciple Sze-hung Ying to commit atrocities against the martial alliance. Yu cajoles Ching-yee into assisting in Sze-hung's capture and with the culprit handed over to the alliance, the young lovers wander away.

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

In protecting a group of children from bullying and gang violence, the gallant 'Lady Bond' Kong Yin stays with the family of driver Lee Pak in order to give classes in self-defence to Pak's younger brother Calf and neighbours Tak, Ah-ling as well as the young woman Sheung, drilling them in the moves and techniques. Startled by her striking resemblance to his kidnapped girlfriend Tong Ching-yee, Tse Tsi-ming pleads with and convinces Kong to pose as the missing girl to visit her bedridden grandfather Chung-sau. The masterminds behind the abduction, Tong's stepmother and her nephew Chan Chi-biu capture also Tse and the children. Tse brilliantly manages to alert Kong. Fighting and apprehending her opponents, Kong frees the hostages and hands the criminals over to the authorities.

Yuk Yin's father dies and her mother remarries to settle the debts. Yuk Yin lives with Auntie Wong. From then on, Chi Hung, Auntie Wong's son and Yuk Yin live and play together. But the Wongs move away. Yuk Yin stays with her mother. Her stepfather is mercenary. When Yuk Yin grows up, he pushes her to get married to get money. Considering her daughter's future, Yuk Yin's mother sends her away. Yuk Yin works in a restaurant. When she learns that her mother is ill, she marries a dying rich young man to get money for her mother's treatment. After her mother's death, Yuk Yin gets married immediately, but her husband dies on the wedding night. Her mother-in-law sees this as unauspicious and expels Yuk Yin. Later, Yuk Yin chances upon Chi Hung. They are still in love. They married and have a son Kwok Wah. But Chi Hung dies. Yuk Yin works as a dance girl to support their living. Kwok Wah grows up and cannot accept his mother's job. But soon he understands that she is respectable.

This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

HK horror film.