Camille Polet

On the beaches in the North of France, a group of friends had to say goodbye. In an appartment in Paris, leaving is putting away. Even if we hide under the blanket, even if we chew hard our corn flakes, we will hear the doors slamming. Somtimes, we believe that we’re going too far and some people leave for real.

Ana returns to Paris after a long trip. With nowhere to live and short of funds, she stays with old friends, hoping for a better situation to turn up. So begins Ana's wandering across the city in this short arthouse film, on a night journey of her own melancholy.

There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.

Fifty-year-old Fred works on building sites to earn a living even though he wants to be on stage. When preparing an audition with an old friend, his memories rise to the surface. His failures as well. And then there is his son, who he misses all of a sudden.

For his last day at the office, Grégoire introduces his new ninth grade intern to the rest of his computer graphics team, which currently works on a groundbreaking aquarium/swimming-pool project. It might be the last opportunity for Grégoire to say goodbye to his colleagues before his retirement.

Andréa spends the summer writing in a holiday home. Inconsolable after a break-up, she urges her sister Ninon to join. But her ex-girlfriend Elise unexpectedly shows up to patch things up. And it’s already too late to tell Ninon not to come. Let the full game begin.

Three supernatural tales where eternity items are being traded and, within easy reach, put our time, image and language landmarks in jeopardy.