Aykan Safoglu

Ara is the story of four people and an empty house. These people are stuck between their past and stormy relationships, between Istanbul and the "homes" they can't get back, between their innermost secrets and the lies they tell, between east and west. They are stuck in the "space between". The whole action takes place in an almost empty flat which is belong to one of the characters. The camera goes out only once. But various other visuals from commercials, TV series' that has been shot in the same flat, sneak into the film. Spanning around 10 years, the story is told between intervals of these visuals. Turkey has been through a huge change in the last 20-30 years. The modest country of the recent past is a faded memory compared to the consumerist life style of modern day. It is the time of ambitious people who can do anything to "live well", to "break through". This is the story of a small group of people who manage to "live well" but can't help getting lost in a spiritual vacuum.

Concentrating on James Baldwin's extended stays in Istanbul in 60's and 70's, the film explores the limits of an autobiography mostly relying on found materials such as Sedat Pakay's photography. Racism, transnational discourses, queer politics and appropriation art are also being investigated throughout the video-essay. Off-white Tulips is conceived as a fictional dialogue with James Baldwin that focuses on his prolonged stay in Istanbul. Found documents and re-signified objects are manipulated to layer Baldwin’s identity as a black gay author with the narrator’s personal history. The associative narrative extends with references to Turkish and American pop-icons, investigations into etymology and self-reflexive comments on visual representation towards a situated critique of racism.

Images and objects warp under the scrolling gaze of a scanner bed. Photographs, shredded and reassembled, spark reminiscences in the artist’s voiceover, which relates the intertwined stories of a family trip to the island of Imbros and of his education at a bilingual German-Turkish public school. The coiling timeline of present experience overlaps with other stories detailing the complex intersection of these two cultures, and of personal and intergenerational memories.