Claudio Remedi

Jorge Giannoni isn't a hero; he's a witness to the darkest part of the history of independent cinema in our country, and of an entire generation; a story that saw him present alongside Raymundo Gleyzer and Glauber Rocha in the turbulent Brazil of the 1960s, during the French May as a producer for RAI, in his work as a face-hunter for Fellini, and in film production from Cuba, making documentaries critical of the Trial; a history riddled with encounters, disagreements, exiles, frustrations, burned negatives, and a few triumphs.

Documentary about the town of Sierra Grande, a city in the southeast of the province of Río Negro, which until 1992 relied on an iron ore mine whose mine was closed by government decree, triggering the exodus of its inhabitants.

Documentary that portrays the world of the modern clown from his own imagination. The interviews are spun within a fable invented and improvised by the clowns.

A story where the magical world of two ten year old friends contrasts with everyday conflicts of working families in the industrial city of Berisso.

Documentary By Norberto Forgione About The Guerrilla Commanded By Ernesto Che Guevara In Bolivia.

Documentary about the roadblocks in 1996 and 1997 in Cutral-Có.

The Armenian genocide is an open wound on humanity. The diaspora of the survivors crossed distant countries. One of them was Argentina. History portrays Buenos Aires and Yerevan, the Armenian capital, as cities preparing to commemorate more than 100 years of a genocide that is still hidden.

The Conquest of the Desert was the offensive of the Argentine State to evict the indigenous peoples of Patagonia in order to advance over vast portions of land, fragment them, and market them. Beyond the military campaign there were a series of extermination operations. An unwritten final solution supported by forced exodus, concentration camps, the elimination of the indigenous families through starvation, disease or slave labor. The protagonists of The Invisible History are descendants of the Mapuches who are trying to reconstruct their original identity. The film makes the wound, which is still open, visible, in order to make room for debate on a different conception of the country, inclusive and multicultural.