Betty Monroe

Sael Farás takes advantage of his position as Mexican Ambassador in South Africa to smuggle diamonds. He also has a secret affaire with a dominatrix. When Sael suddenly dies, a detective is assigned to the case.

A Miami pool boy finds himself trapped in a seven-year affair with a charming older woman and her husband, the evangelical Trump stalwart Jerry Falwell Jr., as he becomes increasingly entangled with the Falwells' seemingly perfect lives.

A retired policeman falls for a beautiful woman involved in the kidnapping of a judge's daughter.

Corazón en Condominio is a Mexican telenovela produced by Azteca in 2013. It stars Victor García and Cynthia Rodríguez as the main protagonists. It is based on "Vecinos", a Colombian telenovela by Caracol. As of September 2, 2013, Azteca is broadcasting Corazón en Condominio at 7:30pm, replacing Destino. Corazón en Condominio has started filming since August 1, 2013.

Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.

Esperanza Guerrero is a single mother working as a teacher at two schools, a state school and an elite school to provide for her two teenagers, Pedro and Patricia. Ricardo Alegría, a married father with two young children, works as an Interpol agent in Los Angeles. Seeking to capture a sleazy jewellery thief known as ‘La Sombra’, he infiltrates the private school where Esperanza is employed and masquerades as the teacher of the criminal’s son. Esperanza and Ricardo are reunited following a 20-year separation and fight to rekindle their love.

La mujer de Judas is a Mexican telenovela produced by Maricarmen Marcos for Azteca. It is based on Venezuelan novela of the same name. It stars Anette Michel, Victor Gonzalez, and Andrea Marti. It replaced Cielo Rojo on January 13, 2012. Adapted by Paz Aguirre and Gabriel Santos, this adaptation is supervised by the original writer, Martin Hahn.