Ichirô Minawa

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

In postwar Tokyo, a blunt, alcohol-soaked doctor diagnoses a swaggering young yakuza with tuberculosis, forging an uneasy bond that’s tested when the gangster’s ruthless former boss returns and drags him back toward the swampy underworld he can’t escape.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.

An American scientist tells two colleagues about the finding of an abominable snowman living in the Japanese alps, where it is worshipped by a remote tribe as a god, and how it was discovered by modern man after it raided a skiers shelter following an avalanche, killing all inside. This is an adaptation of the Japanese film "Jūjin Yuki Otoko" (1955) with added American-made footage, narration, and music.

In Japan, scientifically advanced invaders from the war-destroyed planet Mysteroid cause an entire village to vanish, then send a giant robot out to storm the city by night, after which they request a small patch of land on Earth and the right to marry earthling women, claiming to be pacifists. Mankind must decide whether to capitulate or to resist.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

Three competing parties all race against time to track down an elusive creature known only as the Snowman.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.