Carol Morley

Mike Hoolihan is an unconventional New Orleans cop investigating the murder of renowned astrophysicist Jennifer Rockwell, a black hole expert found shot to death in her observatory. As Mike tumbles down the rabbit hole of the disturbing, labyrinthine case, she finds herself grappling with increasingly existential questions of quantum mechanics, parallel universes, and exploding stars. The hunt for a killer draws a detective into an even larger mystery: the nature of the universe itself.

England, 1969. The fascinating Abbie and the troubled Lydia are great friends. After an unexpected tragedy occurs in the strict girls' school they attend, a mysterious epidemic of fainting breaks out that threatens the mental sanity and beliefs of the tormented people involved, both teachers and students.

In a last-ditch mission to get recognition for her talent, Audrey Amiss (Monica Dolan) persuades her psychiatric nurse, Sandra Panza (Kelly Macdonald) to take her on a road trip back to where her story began – but with so many deviations along the way, will they ever make it?

A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn't discovered for three years, and newspaper reports offered few details of her life - not even a photograph.

Maxine Peake stars in a short film about three fears (birds, falling, sleepwalking) - filmed and edited in a single day on a mobile phone for Cinema Now, a digital conference held at BAFTA.

Based on the filmmaker's collection of newspaper cuttings the film presents private moments that give strange glimpses into everyday life.

Carol Morley's debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl's relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley's first directorial credit was her graduation film from Central St. Martin's School of Art.

Six troubled strangers arrive at a hotel located on the south coast cliffs of Dover. Looking for something, or looking to lose themselves entirely, the guests spend time together in the cold, isolated setting. As tentative connections form, they begin to uncover a shared purpose that unites them.