Alban Lendorf

On March 21st, 1945, the British Royal Air Force set out on a mission to bomb Gestapo's headquarters in Copenhagen. The raid had fatal consequences as some of the bombers accidentally targeted a school and more than 120 people were killed, 86 of whom were children.

When a self-appointed expert on love tries to teach a timid prince the art of seduction, the plan backfires, leading to scandal — and unexpected romance.

A romantic drama set in Denmark in 1913, the story follows Anton, a noble and conscientious young man whose top priority is to complete his training as a cavalry officer. During a training session, he orders his platoon to help Baron von Løvenskjold and finds himself invited to a ball at the castle, where he meets the baron’s beautiful daughter Edith who has been in an accident and ended up in a wheelchair.

Christine is isolated at home with her newborn baby. New in the role as a mom, Christine feels the guilt from society of not connecting with her child. Only herself to blame, along with the fact that the baby doesn't like her.

Deployed on mission in Helmand, Afghanistan, 25-year old Thomas steps on a landmine and loses both his legs. At the local rehabilitation center, he meets Sofie, an ascending ballerina from the Royal Danish Ballet, who is helping a relative to regain strength after a long term sickness. Thomas desperately wants back in the field and gets impatient as progress does not emerge as fast as he wants to. When Sofie offers to help him with a more intense rehabilitation plan, he accepts. Despite their differences, they develop a special bond and a mutual affection.

An 18th-century Danish prince slowly unravels and grapples for meaning in modern-day Copenhagen.

Midwife Ella runs the best maternity ward in Denmark. The close-knit team goes about their work with conviction and fine ideals, but all too often the mental and physical strain pushes them to their personal limits.

Jeppe Nygren takes over as deputy conductor of the Copenhagen Symphony Orchestra and is warmly welcomed by his new conductor, who speaks candidly about the musicians' peculiarities and olates. The conflict-ridden Jeppe quickly gets an example of these olates and happens to give the embittered second clarinetist Bo with a cursed promise of a solo part. But it has far-reaching consequences.