Haris Emmanouil

Alexandros wants to open a bar in a district town so he travels to Romania to find young girls to work for him.The bar has unprecedented success but then something happens.

When the past comes knocking on Kostas' door again, the guilt over the loss of his family turns into a force for revenge, leading him to bring justice to the island where he grew up.

The trial of a young rapist and murderer becomes the reason for his past to be revealed, through the telling of events that preceded the assassination.

Looking forward to seeing his daughter, Maro, again, Antonis Papastafidas, a wealthy landowner from Amaliada, decides to pay her a visit in Athens. However, Maro, a beautiful medical student, is fine on her own. After all, she has a close friend: the spirited, voluptuous temptress, Pelagia "Peggy" Katsikogianni. Of course, it doesn't take long for Antonis to become infatuated with Peggy. Now, the grizzled Casanova must have her. But, what would Maro think of her naughty father?

Why didn't Vicky go get her passport sooner? What happened and she was caught crying in a bank? Why does she ask Alexis if he's bored? Will Harris text her? When will her hypochondriac neighbor see her again? None of these questions will be answered. Vicky is leaving tomorrow and she just wants to have fun.

Kostas is an unemployed actor. To be able to get a job, she disguises herself as a woman and gets a job in a soap opera, in the role of a college principal. The serial and his role are very successful. Everything is going well, until he falls in love with Katia, an actress who stars in the serial...

Sotiris is a financial editor at a local newspaper, living a mundane life, until he locks eyes with the gorgeous Olga at a Russian expat Christmas party. Unable to get her out his head, he starts looking for the girl of his dreams, only to find himself immersed in a dark and dangerous world, where the difference between illusion and reality will soon be made abundantly clear.With Zenia Kaplan as the proverbial femme fatale, Savvas Karydas explores the twin concepts of escape/dream and dead-end/deceit. From this unique perspective, Illusion could easily be perceived as a film noir. At the same time, it’s a film about contemporary credit crunch societies and their effect on relationships and attitudes, imposing a new moral order where love and friendship are tested, redefined and demystified.