Petro Aleksowski

Piotr quits his waiter job in Vienna to set up as a self-taught psychoanalyst “for women only” in his native Kraków, despite having no real qualifications. His clinic overflows with secret-sharing clients whose confessions drag him into tangled romantic entanglements.

Policemen from two precincts are joining forces to fight the Mokotowska Group.

The main character of the film, Lieutenant Yuri Nikitin, despite his young age, is appointed commandant of the small town of Jericho on the Elbe. At the same time, Nikitin must take on quite serious responsibilities for improving life in the town. The four—storey building is the commandant's office of Jericho. The house used to belong to Hans Lemke, the owner of a pig farm, bakery and cheese factory. The townspeople think Lemke is dead, but he's alive. He hides in a tunnel and watches everything that happens in the town through the optical sight of a sniper rifle, especially the young officer who has settled in his house.

During the Greek Civil War of 1948-1950, approximately 28,000 children were deported from Greek Macedonia, of whom 3,500 ended up in Poland, including 1,750 of Macedonian descent. Initially, they were supposed to stay abroad only for the duration of the conflict, but after the war ended, the Greek government banned the children from returning home. One of them was Mito Klavchev, who never managed to return to his homeland. His son, Petro, embarks on a journey to trace his father's roots and the identity he lost years ago.

A documentary tale about sport and politics under martial law. All of Poland saw the great goals of Boniek and Smolarek during the Espana '82 championships. For a moment, it was forgotten that the background of the sporting performance was martial law, censorship, an army on the streets, prisons filled with oppositionists. The performance of the players was so successful that it was called "the most beautiful series of martial law". The game is watched by interned activists of "Solidarity", sports journalists and censors, cutting out all manifestations of the opposition from television broadcasts. We also get to know the performance in Spain from the perspective of the players, trying to meet not only their ambitions but also to bear the burden of fans' expectations and regime propaganda.

Teenager Tereska comes from poor family and has to face difficult world and mean people around her.