Margarita Lozano

Acting

Margarita Lozano

Born February 14, 1931 · Tetuan, Spanish protectorate in Morocco

Died February 7, 2022 · aged 90

Margarita de las Flores Lozano Jiménez (14 February 1931 – 7 February 2022) was a Spanish actress known for her career in Italian films. She worked for Luis Buñuel in Viridiana, Sergio Leone in A Fistful of Dollars, Pier Paolo Pasolini in Pigsty, the Taviani brothers in The Night of the Shooting Stars, Kaos and Good Morning Babylon; Nanni Moretti in La messa è finita; and in Claude Berri's diptych…

Known For

A Fistful of DollarsA Fistful of Dollars · 1964
A Fistful of Dollars
7.81964
MovieWestern
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Manon of the SpringManon of the Spring · 1986
Manon of the Spring
7.61986
MovieDrama
In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.
ViridianaViridiana · 1962
Viridiana
7.71962
MovieDrama
Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.
Jean de FloretteJean de Florette · 1986
Jean de Florette
7.71986
MovieDrama
In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.
MimaMima · 1991
Mima
4.41991
MovieDrama
Mima and her Italian family live in France. When her grandfather is killed, she discovers that they have a long-running family feud with the mafia.
VacationVacation · 1971
Vacation
4.81971
MovieDrama
An allegedly insane woman is allowed to finally leave the madhouse to see if she is capable of functioning normally…
The Mass Is EndedThe Mass Is Ended · 1985
The Mass Is Ended
7.41985
MovieDrama
Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.
Los farsantesLos farsantes · 1963
Los farsantes
6.61963
MovieDrama

Filmography

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OctaviaOctavia · 2002
Octavia
9.02002
MovieDramaFamily
Rodrigo returns to his childhood home of Salamanca after a four-decade absence and a career as a guerrilla in Latin America, a secret agent in the Eastern Bloc and an official for an international agency. While Rodrigo may have attempted to put his past life behind him, the memory of his now deceased mother and his old-world family returns to haunt him. In an old city dominated by the weight of tradition, Rodrigo discovers a daughter about whose existence he had never known, as well as a grand-daughter, the enigmatic and beautiful Octavia. A rebellious teenager, Octavia dismisses her grandfather's old politics, possessing her own sense of what freedom means. Patino's film is a poetic, assured contemplation on the pain of returning somewhere you never really left and the accompanying ironies of a man obsessed with history who cannot face his own.

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