Lü Hsueh-feng

Former bomb disposal expert and his fiancée board a high-speed train. Also, a well-known physics teacher who was involved in an affair scandal, also boards the same train in order to win back his wife. At the same time, there's a bomb on the train!

When a mysterious corpse is found in a river, a distressed police officer delves into a string of grisly murders as danger quickly approaches.

Energetic, colourful reworking of Shakespeare’s love story played entirely by women, set in the bustling metropolis of Taipei.

Follows a group of food vendors who have made their living in the bustling 888 Night Market for over a decade. Their livelihood is threatened when some real estate developer acquires the land where the night market is situated.

Wang Shicong, chairman of the famous group, died tragically at home. The prosecutor Liang Wenchao and his wife, Abang, learned during the investigation that the deceased’s long-term partner, Dr. Wan, and his ex-wife’s Son Wang Tianyou, young newlywed wife Li Yan, and even the dead ex-wife, each suspect has an intricate connection. As more clues gradually surfaced, they gradually discovered the rich. The amazing secret hidden behind the murder...

When her grandmother is injured, carefree slacker Fang-Ru reluctantly takes over the family hot spring inn—only to discover it is buried in debt. Teaming up with the inn’s sharp-tongued receptionist and a charming American work-exchange traveler, Fang-Ru launches a desperate rescue plan, relying on creativity rather than cash to save the struggling business.

Cultures meet and values are learnt through the renovation of an inn.

Now retired from the criminal underworld, Loman runs a bed and breakfast with his loud, boisterous family. The plot is built around various domestic situations - a relationship crisis between Loman's daughter Jin and her partner Xiao Ho, as well as unresolved issues between David's wife and her younger sister Hottie. Hong Kong's big boss Brother Tien soon arrives to meddle in everyone's affairs.

The Moonlight in Jilin is directed by Wei-ling Chen. Ivy Yin, winner of the Golden Bell Award for Best Leading Actress, stars as Weiwei, a Chinese woman who marries a Taiwanese gangster to save up for her mother's medical expenses. However, her promised life collapses when her husband suddenly absconds. Weiwei has no choice but to serve in an erotic massage store. One day, the police make a raid, and a junior officer, Jiahao, has a crush on Weiwei. As her best friend from her hometown visits Taiwan, Weiwei asks Jiahao to pretend to be her husband. Is this an accidental happiness for Weiwei?

In a crumbling house on the edge of Taipei, two brothers drift through odd jobs, messy love, and quiet yearning for a life that feels like their own.

While working in a trauma unit, a social worker investigates mysterious deaths connected to supernatural phenomena and forbidden rituals.

Laichun, her father and two mothers, uncle and grandfather are of different generations; thus they all think differently. Father is the family head, and because he believes he must continue on the family name ends up taking two wives.

8-year-old Ah Keat sets off in search of the mythical nightmare-eating creature in the forest, hoping it will bring his father back to life.

A-Hu, who is born into a small family during an economic crisis. His mother works at recycling with her son A-Hu and his brothers until A-Hu leaves home. Although he has left, he keeps an eye on his mother in order to protect her from a group of people who bully her. During a fight with the bullies, he accidentally kills one and goes to jail. After being released from prison Ahu and his brother join forces with their brother in a gang.

On his 60th birthday, Van is told that he is seriously ill. But instead of going to Taipei for treatment, his illness leads him to Japan. Together with his son, he goes in search of the father who abandoned him 50 years ago. At the same time, a young man with a mysterious connection to Van's past is travelling from Hong Kong to Taiwan.

Chang Mei-Lan is an elementary schoolgirl who doesn't like her parents and prefers to believe she is adopted. She makes a deal with her best friend, Ah-Jie, to find their real parents in the city across the river. Will they succeed?

The witch family operates a historic hot spring in Beitou, where it is said that all illness can be cured by bathing in the waters. However, Qiqi, the heiress to the family business, dreams of leaving this place and her irritating grandmother behind.

An unemployed son visits his mother who lives alone. Having been away from home for a while, a sense of distance and alienation is all that is left between them. Nevertheless, they keep saying, ‘I’m fine’, to each other as neither wants to worry the other.

Based on true events, a story about a Taiwan-raised second generation Indonesian and a Taiwanese senior citizen who aren’t from the same bloodline but have intimacy beyond family members.

A wife needs to face not only the gradual deterioration of her husband's condition but also the complicated relationship between the daughter who was released from the prison on parole and the secret which was detonated after the old friend was back.All of the incidents make each other stuck into a family storm.

Filial Piety Award embodies the paradox of filial piety by absurdly depicting a boy who takes part in the competition of "the most considerate student." This film does not presuppose a position nor provide any value judgment. Filial piety is within our heart, and, with no regret, we will become children of filial piety for our parent.

A ten-part hour-long series that follows the aftermath of a mass-shooting where all parties involved - the killer, the victims, the victims’ families, the media and the defense teams, whose fates are all intertwined.

After a bus accident leaves high school student Yiyong in a coma for over a year, he awakens with his grandfather’s supernatural powers. His once ordinary life turns into a thrilling ghost-filled adventure alongside his school rival, Cao Guangyan, and rookie policewoman Chen Chuying.

If the law and its enforcement has worked, then the world needs gods no more... When facing the dilemma with no right answer in this world full of ambiguity, Lou I-fang, the Master of the shrine and the Chief of the village will stand out to do justice right. Together with his assistant and fellow lawyers, they team up to bring hope to people whenever crime or unfairness emerge. If only they could also face the doubts within themselves...

Directed by Peter Ho, the ten-part show with 60-minute episodes, explores relationship issues and marital challenges, and depicts painful dilemmas for the characters through a unique lens on their daily lives. The screenplay is by Ho and Chiang Yu-Chu.

Weng Wen-fang (Hsieh Ying-hsuan) came from a political family. She joined the Justice Party as the deputy director and spokesperson of the Publicity Department, after failing to be re-elected as a member of the Council. She led the publicity team in realizing their goals, but not without facing many challenges to their faith and values.

Reminiscing about his youth in Taiwan's turbulent 1920s, Guo Xuehu reflects on his passion for art, a friendship with a painter -- and a doomed romance.

the story tells of how a group of friends come together, encounter love and many other aspects of life through major events that occurred during 16 summers, such as the 729 blackout, 921 earthquake, SARS and the Beijing Olympics9

Yijuan and her mentally ill sister Kaiqi struggle to be happy in the face of misfortune, criminal intrigue, marital strife, an exorcism and a ghost.

Idealistic and passionate rookie lawyer Yen-ching takes on the case of a death row prisoner Ming-te, who has been sentenced to death five times. Yen-ching, initially harboring no high hopes, begins to believe in Ming-te’s innocence as she delves deeper into the case. Firm in her conviction that law should represent justice, she submits extensive evidence to prove Ming-te’s innocence, only to be disregarded by the judges. Yen-ching soon realizes that she is not merely fighting against the legal system but against the inherent human nature of prejudice. Now faced with the challenge of toppling society’s deeply ingrained “presumption of guilt” principle, Yen-ching strives to save Ming-te from his imminent execution.