Jacques Bouvier

Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.

In 1870s Scotland mining engineer James Starr is asked by former colleague Simon Ford, who's living inside the abandoned Aberfoyle mine, to help solve mysterious occurrences taking place inside the mine.

Louis Bourdin est employé à la RATP le jour, romancier la nuit, avec une forte prédilection pour le genre policier. Un jour, il rédige un polar situé dans l'univers de la RATP, boudé par les éditeurs. Le livre parvient alors aux yeux d'une bande de criminels...

While filming on location in Tahiti, a small-time actor seizes an opportunity to make it big, but the attention may be more than he bargained for.

This story is set in the 13th century, in Britain, where Lancelot, who was raised by Vivian, the Lady of the Lake, becomes one the Knight of the Round Tables and falls secretly in love with Guinevere, the wife of King Arthur, for whom he wants to accomplish many deeds.

After serving as an embassy secretary in London at the end of 1787, a position he didn't exactly enjoy, the poet André Chénier returns to Paris. When the Revolution breaks out, he becomes enthusiastic about it, and never ceases to express his love of liberty and high principles. But he also speaks out against excesses and troublemakers. For her part, the beautiful Aimée de Coigny, who has just divorced the Duc de Fleury, leads a dissolute life. In 1793, the Convention decides to put "the Terror on the agenda". Aimée de Coigny and her new lover, Casimir de Montrond, are arrested. At the Saint-Lazare prison, their life together is preserved. Six months later, Chénier is arrested and imprisoned. Dazzled by the young woman's beauty, the poet dedicates his most beautiful verses to her. But Aimée remains unmoved by his love.

Les Cinq Dernieres Minutes is a crime based French television series

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.