Martin Ryšavý

In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.

An ironic water road movie telling the story of several characters traveling on the waters and roads of the Podkrušnohorská landscape, and at the same time the story of the landscape itself.

A story of Karel Jaroš, an emotionally arid man, whose mother suffers from Alzheimer disease. It is not love, but the sense of duty that stops him from sending his mother to a mental institution. On the other hand, this way he can finally connect with her. And not just with her but also with his teenage son and with himself.

A detailed probe into the rehearsal process of the theatre production of I, Feuerbach, based on the play by successful German playwright Tankred Dorst, presents Ivan Řezáč in the leading role of an aging master of acting. This documentary about the preparation of a production based on the principle of theatre on the stage uses filmic means to explore the meaning of the art of theatre and, in the civilian conversations among members of the ensemble outside their roles, reveals that even the actors themselves often grope for the meaning of their profession. In the process, the sometimes humorous and sometimes critical moments during the preparation of a theatrical piece reveal the many pitfalls of collective work in contemporary society.

One of the most striking contemporary Czech film-makers and literary figures, twice over winner of the Magnesia Litera Award, Martin Rysavý, is himself the central character of his new, philosophically tinged travelogue. He takes part in the Ukrainian Maidan, takes the Trans-Siberian Express across Russia, sails down the Kolyma river, comes across nomadic reindeer herdsmen, soldiers, mystics, artists and scholars. He tries to comprehend the present situation of two feuding countries of the former Soviet empire. The film's framework forms the director's conversation with a Prague optician, Jakub Thuri, shot during the director's check-up. Using travel materials on top, it allows a peep inside a traveller's consciousness wandering in recollections and trails of sensory perceptions from expeditions to far-away lands and finding a way how to grasp them, put them in order and pass them on.