Diana Salcedo

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.

A woman suffers from amnesia after killing her husband, who was just about to demand a divorce for having found her engaging in an affair with a lover, who is only interested in her to find where some precious jewels are hidden.

Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime

Given the proximity of death, the experiences of the past come to the memory of Juan. In a fragmented, sometimes confused way, Juan relives the crucial moments of his life, always linked to the names of women. Moments that remind him of having missed numerous opportunities to be happy.

A small family of travelers arrives after a long journey at a village hut, which they claim as home. The family consists of Damian, a mute but skilled hunter, his wife Priscila, and their two children, a mute son named Pablo and a beautiful daughter named Agueda. Before long, Don Rodrigo, the feudal lord of the village, sets his sights on both Priscila and Agueda.