Fyodor Ivanov

Acting

Fyodor Ivanov

Born February 1, 1894 (age 132)

No biography available.

Known For

The Revolt of the FishermenThe Revolt of the Fishermen · 1934
The Revolt of the Fishermen
5.61934
MovieDrama
Working fishermen from a small village rise up against the entrepreneurs and the buyers, fighting for higher wages for their hard and difficult work.
Love and HateLove and Hate · 1935
Love and Hate
5.41935
MovieDrama
A group of Ukrainian women are forced to work in the mine under the supervision of cruel enemy soldiers. When the soldiers are forced to retreat and decide to blow up the mine, the women organize a guerrilla action to stop them.
The Death RayThe Death Ray · 1925
The Death Ray
5.21925
MovieScience FictionDrama
In a capitalist country, workers are heavily repressed but manage to get a Death Ray to fight back. Partially lost movie.
MotherMother · 1926
Mother
7.11926
MovieDrama
A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.
NightingaleNightingale · 1936
Nightingale
7.01936
MovieDrama
The events in the film take place in pre-revolutionary Russia. A riot of workers of a large porcelain factory is taking place. After the burning of one of the shops, Grunya's father dies in the fire. The owner of the factory caused the fire in order to obtain a fine from the workers. Grunya urgers the workers to fight, but is injured, yet she still urges the people not to give up.
BricksBricks · 1925
Bricks
1925
MovieDrama
Partially lost.
Станица ДальняяСтаница Дальняя · 1930
Станица Дальняя
1930
MovieDrama
Storm Over AsiaStorm Over Asia · 1928
Storm Over Asia
6.51928
MovieDramaWar
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

Filmography

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Storm Over AsiaStorm Over Asia · 1928
Storm Over Asia
6.51928
MovieDramaWar
In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

The Lama

A Simple CaseA Simple Case · 1930
A Simple Case
5.31930
MovieRomanceDrama
As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)