Roberto Wohlmuth

Lucía lives with an incurable disease, and Bruno was deported to Mexico with no place to sleep. An unexpected phone call brings them together in an emotional story of overcoming, reconstruction and hope.

A gay couple adopts a child as they find out about the issues with gay adoption and the gay lifestyle.

Keta is a professional makeup artist with a big butt and large thighs, but she also has big dreams. The truth is that Keta with her overweight, her addiction to marijuana and her pink hair can not get a job anywhere, so she ends up as a drug dealer handing out goods to her neighbor - who is addicted to all kinds of painkillers-, to an actress of soap operas as schizophrenic as a cocaine addict; also going through a swinger couple, a prude housewife, a not so prude nun and a host of characters that will surely make more than one viewer is reflected.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

When the patriarch of a prominent family dies, his heirs battle to determine who will gain control of his beloved soccer team: The Cuervos of Nuevo Toledo.