Hyo Kitazawa

Fourth installment of Nikkatsu's "Drifter" series, with Kobayashi Akira.

The story deas with the experiences of an exceptionally strong-willed, middle class Tokyo "ojōsan" who comes to teach in a middle school in the countryside.

In 1887, two businessmen, Echigo-ya and Kitahara, compete for railroad construction authorization from the government. The minister states that a local noble must not object, and his missing younger brother is the only one who could sway him. Meanwhile, Omitsu, a hotel employee tired of Echigo-ya’s wife’s arrogance, teams up with Kitahara to stage a scheme where a vagrant young man pretends to be the noble’s lost brother, aiming to trick and embarrass the wealthy woman.

A picture-story-show operator, accompanies her son, Akira, who lives apart from her, to a hot-spring medical treatment and spend a moment of brief happiness together, but eventually the time comes to say goodbye. The portrayal of the children and the atmosphere of the hot spring resort shine through in this film about a mother by master filmmaker Hiroshi Shimizu.

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

A drama about relations between Japanese immigrants and the indigenous Ainu on Hokkaido, the most northerly island of Japan. From a novel by Taijun Takeda.

During the late Meiji period, at the beginning of the twentieth century, Sumako, a country girl, becomes a great actress with the help of Hogetsu, a scholar who brought European realism to the Japanese stage. The relationship leads to the end of his marriage and the breakup of his Arts Society.

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

This movie depicts poor yet kind and modest people, focusing on sibling love.

Yuzo Kayama is captain of the Fencing team and visits Brazil to work in the shipyards with his professor. There he meets his beautiful daughter (Mie Nakao) and a tour guide (Yuriko Hoshi), but his work and his band, The Ranchers, keep him busy.

A period comedy set at the end of the Sengoku Period about Sasuke Saruhi, a middle-aged ninja.

Meet Saotome Ai, a high school girl from a well-to-do family. When she was a small child, she was in an accident that resulted in a young boy being permanently scarred between his eyes while she emerged unscathed. The young boy saved her life and although she never knew who he was, she never forgot him. Meet Taiga Makoto, a young man with a scar between his eyes who has had a rough life, but has emerged as a rough, tough bully - a thug and a brawler and about as rude as they come - all of which he blames on the incident that gave him his scar. When Ai and Makoto run into each other again, Ai feels guilt for what Makoto has become and decides to intervene and rehabilitate him. But is he a diamond in the rough, or just a bully?

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.

About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

The 14th and final "Crazy" feature. The Crazy Cats reunited (minus Ishibashi, who had by then retired from the team) for one last feature, Jun Ichikawa's odd Memories of You (Kaisha mono-gatari, 1988) released by Shochiku. Most of the cast of Crazy lrresponsibles at Shimizu Harbor (1966) return in this sequel.

The 9th NHK Asadora. Starring Naoko Otani as a young woman living with her grandmother.