Sasha Kulak

The plot of the film is based on the large-scale reconstruction of the historical building of the HPP-2 power plant on Bolotnaya Embankment under the direction of architect Renzo Piano and the transformation of the power plant into a cultural institution and a cultural house of the V-A-C foundation, founded by Leonid Mikhelson. For five years, the process of fixing this reincarnation was carried out. The basis of the shooting method was the desire to show big events through the prism of the interaction of art and life of the construction site and the V-A-C foundation, through small details, through the people who are doing it all.

The picture is about the inexplicable property of a person to fill with energy and life even the most frightening and abandoned places. This is a portrait of the abandoned city of New Idrija and the last years of the lives of those who spent their youth in believing in an alternative version of the “American Dream”.

Celebrated Russian theatre director Anatoly Vasiliev's Asino (Italian for donkey) is an epic ode to this beast of burden. The donkey has a long cultural history dating back to Greek mythology and the Bible: Jesus rode into Jerusalem on one; Sancho Panza had a loyal donkey; Winnie the Pooh was friends with the dejected Eeyore. Donkeys stand for stupidity, stubbornness and humility.

Documentary film by Ruslan Fedotov

The cycle of life marked by trauma: intensive trip into the memories of fundamental traumatic experiences of one's childhood which determine the future persona

It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.

A magical-realism documentary inspired by the writing of Juan Rulfo about a shepherd and his wife living in a Mexican ghost town.

On the eve of the World Cup, three teams of young directors embark on a journey through the largest country in the world to find out what really makes up the soul and meaning of real Russian football. In a country where football exists more in the headlines of scandalous tabloids and newly built, shiny stadiums-palaces, in parallel, the invisible life of raw and non-program football, yard boxes and football fields arranged in the most unexpected places is rapidly developing. The blood and energy of this life are young people driven by a pure love of the game, not looking for awards and titles. The stories of 3 heroes who live at a distance of tens of thousands of kilometers from each other, but are passionate about the same thing, are told in a documentary almanac, the shooting of which took place throughout Russia.