Jean-Michel Dhermay

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A lovely summer day in Paris. Roger and Martine are on their way to work. "Work" is a euphemism because Martine is a prostitute in Pigalle. She is saving money to buy the house of her dreams in the country. Her husband Roger "works" for the same goal, but in a brothel for women. There, duchesses rub elbows with businesswomen, militant members of women's lib and other female pleasure-seekers.

Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

The relationship of a married couple takes an unexpected turn when the husband's boss gets the idea that their ad campaigns need spicing up with eroticism, and chooses his employee's wife as his assistant.

About the problems of frigidity encountered by a young married woman and how they are overcome with help of her husband.

A 1974 French erotic and action film.

Carl is a handsome Austrian who hunts for a Nazi-buried treasure in a haunted Norman castle, hidden there before the liberation.