Roberto Faissal

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah

Beto, a young gigolo playboy, convinces his friends to break into a house to rape Marlene, a wealthy woman. They can not complete the mission, but the woman fall in love with Beto, who returns to become her lover. The case of the two, eventually involving the husband of Marlene, causes problems that the two can't solve.

Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.

A drama about double personality

The stories created by Monteiro Lobato take place at the "Sítio do Picapau Amarelo" (Yellow Woodpecker Farm), where various characters experience magical tales and star in unforgettable adventures.

To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.

To avenge his father's death, Otávio wants to take over a party catering business called "Marron Glacé," but ends up falling in love with Vanessa, the daughter of the current owner.

Romantic and dreamy, Eliana works at a five-star hotel and becomes involved with unrequited love, a bumbling gang, and a complex police story.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

Set in Rio de Janeiro, the main plot follows the romantic adventures of four young people: Sônia, Joyce, Paulo, and Carlos. The youngest, Joyce, was raised by her aunt and uncle, Flávia and Dario Rodrigues, following her mother's death and her father's disappearance. Dario and Flávia are Sônia's parents, and they raised both girls as sisters. The story becomes even more complicated with the arrival of Carlos, a young man of humble origins who falls for Joyce the moment he meets her. Joyce, however, does not reciprocate his advances and spurns his interest. Increasingly in love with Paulo, she even pretends to be blind after an accident—solely to remain close to the doctor—and proves willing to do whatever it takes to keep Sônia out of her way.

The series places Brazil and the world in the context of 1973 to show how fertile that period was for local music production. Each episode addresses a specific theme—such as military regime censorship, the rise of samba at the time, Brazilian rock, the importance of iconic album covers, production outside the Rio-São Paulo axis, and the renewal of bossa nova. To this end, the series invites musicians like Odair José, Charles Gavin, and Roberto Menescal, as well as journalists such as Silvio Essinger, Paulo Cesar de Araújo, and Renato Terra, to share behind-the-scenes details from that era. Each account is complemented by extensive research, featuring performances and interviews with artists who defined the year and remain fundamental to the history of Brazilian music.