Dežo Ursiny

A love story of a couple of mature people of completely different characters, who lived and worked side by side for years only as colleagues, but whose accidental trip to Slovakia to attend the wedding of Hedin's sister brought them closer, probably for the rest of their lives...

In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

A documentary film about Dežo Ursiny, one of the greatest personalities in Slovak music. The film features people on whom he left a deep mark during his lifetime – his long-time collaborator, poet Ivan Štrpka, colleagues Marián Varga and Andrej Šeban, as well as producers, friends, and sons. Through short "snapshots," as one of Ursiny's albums was titled, Krištúfek composes a portrait of this remarkable artist from his bohemian youth to his ascetic period of inner reconciliation before his untimely death.

The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

A recording of a memorial concert dedicated to Dežo Ursiny, one of the founders of Slovak modern rock music.

The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.

Set in 1960s Bratislava, the film follows a cynical, thirty-year-old architect named Andrej who unexpectedly falls deeply in love with Vanda, a free-spirited and spontaneous young woman. However, their burgeoning relationship is quickly strained by his growing possessiveness and desire for a traditional marriage.

Karel, a young man with an unknown past, but with a defined set of values and an ideal moral code, arrives in the village in the middle of the harvest. For the ordinary, down-to-earth villagers, Karel's lifestyle is hard to understand and they simply do not accept him into their midst. The summer ends and he leaves with his message again somewhere else. Perhaps he will return here next year to try to repeat his strange mission...