Alexandre Cornu

A solitary cat, displaced by a great flood, finds refuge on a boat with various species and must navigate the challenges of adapting to a transformed world together.

45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.

France, end of the 70s: Alain is the author of several cartoon films. His romantic meeting with a young Iranian student, Jasmine, changes the course of his life. Teheran, 1978: The revolution sweeps away the despised regime of the Shah. Alain has joined Jasmine, their love grows in secret, with the hope that a new life is possible. The introduction of the Islamic Republic will destroy their illusions, and separate the two lovers ... For how long? 30 years later, it is time for Alain to revisit the theatre of his memory. Several faded blue aerograms, Super-8 films ... Not much remains. With his fingertips, from the bottom of the heart, he resurrects the past, image by image. In the restitution of a mysterious and oppressive Teheran, in the helter-skelter of history, beings of paste and blood fight, like many others, for love and freedom.

Early 20th century, in the Ughetto family's home village, Ughettera, Northern Italy. Life in the region had become very difficult and the Ughettos dreamed of a better life abroad. Legend has it that Luigi Ughetto crossed the Alps and started a new life in France, thus changing his beloved family's destiny forever. His grandson retraces their story.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.

Sight, like other senses, is as much a matter of personal experience as of the absence of possible comparisons. How can we know what others see and in what way? How can we describe when our reference points are constantly escaping? Faced with the risk of blindness since childhood, Manuel von Stürler lives in dread of this fate and condition; his lust for sight (Fureur de voir) retraces an initiatory journey into the universe of vision and senses, into the definition of darkness or of nothing.

"It's in the idea of movement where, for me, something essential comes together/ combines-- Seven short poems write to each other in images, fleeting visions of China glimpsed through sights, through sounds, always moving." -Robert Cahen.