Ulrike Barthruff

Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.

Lawyer Lea Jung has won a much-noticed process. Her client Nick Storm, accused of rape, was acquitted because Lena was able to prove the alleged victim Yvonne Schubert was not credible. After the trial, Nick begins courting Lea. She has reservations but is interested at the same time. Nick is a very attractive man. But Yvonne Schubert is also looking to be close to the lawyer. She desperately insists that she was right, accuses Lena of having ruined her life and urgently warns her not to make the same mistake she made: falling for Nick.

Shortly after a family moves into a new house, the parents split up and the family becomes the victims of a furious dispute.

An unusual family story about two father and son generations, beginning on a German country side and ending in the students' revolt in Berlin.

Even as a young boy, Simon hatched plans to get rid of his sister Sarah, who, as the baby of the family, drew all the love and attention of his parents. 14 years later, this childish wishful thinking become a brutal reality.

Helen Dorn is an expert Police Commissioner, who’s years of experience have given her killer instinct when it comes to crime. On the department head’s orders, Helen Dorn become involuntary partners with Detective Chief Superintendent Gregor Georgi, with Helen in the role of Georgi’s superior. After initially ruffling some feathers, as Gregor thought he was about to take over a case as head investigator and not confronted with a new superior, the two prove to be a solid pairing: Helen’s famed intuition is matched by Gregor’s rational analysis and precision. But will he be able to unearth her mysterious past?