Idalia Pérez Garay

Portrays the importance of the use of art in the formation of adolescents; the use of art, in all its manifestations, as a tool to help them meet themselves, to resurface their emotional, spiritual, and psychological life.

A journey through customs and traditions such as the promise of the Kings, Virgen del Carmen festival, the rosaries, Christmas' parrandas, and the voices of people retelling their memories of history.

This documentary presents itself as a foundational work of historical and cultural preservation, focused on disseminating the significance of one of the most important pre-Columbian legacies in the Caribbean. Through an academic yet accessible approach, the film delves into the heart of Puerto Rico's Taíno identity to reveal the transcendence of the Caguana Indigenous Ceremonial Center.

Early in the morning, a picturesque old bar that frames a corner of Santurce like a castle, is enlivened by a tasty salsa music that emanates from a fleece. The owner of the bar, as is his custom, dances with street virtuosity to the rhythm. Sitting near a window, a beautiful woman waits for her lost prince. Four horsemen play Dominoes with mastery, while the melancholic Bartender cleans glasses as if wanting to clean their memories. A wobbly Wise Man (Gaspar), dressed regally, enters the bar and asks for a drink. The bartender offers to serve him a glass of milk instead, which provokes a confrontation between the two, that gradually turns into a duel of words. The Bartender brings out the resentment he has for the Three Kings who never brought him gifts and for the disappointment he has towards life. The Wise Man tries to re-validate himself creating uncertainty of his true identity. Who is this King of the Bar?

A festive, tropical Christmas in Puerto Rico is what Jennifer and Papotico are most looking forward to. Both young people are filled with musical talent, with dreams and hopes for the future. But their innocence, zeal for life, and special friendship are overshadowed by the social and economic issues of Puerto Rico. Full of powerful performances and based on a true story, “Bala Perdida” will leave a chilling feeling in your bones.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

A comedy narrating the adventures of ten Puerto Ricans looking for a better life. The film centers on an airplane trip to New York during 1960's. It relates in a comical, yet poignant manner, the array of reasons each of the passengers has for leaving Puerto Rico and the challenges they face as suggested by the interactions of the Anglo crew and the passengers.

A group of filmmakers analyze the situation of their country's cinema while some children record them.