Guillermo Ochoa

Minerva, a middle age writer, decides to break the uncertainty that prevents her from creating the novel that for years she has nested in her mind. Unintentionally, she returns to the port where she was born and she encounters a past full of ghosts and chimeras. Paradoxically, she founds herself because of this journey back home, so she begins writing the story of her life, of her own childhood, with its magical past and tragedy.

Elpidio Valdés returns to the Cuban countryside to fight against the Spaniards. But they have a much more dangerous enemy: the Americans, who want to take over the island at any cost. Elpidio Valdés and his comrades-in-arms will try to prevent them from achieving their goal, with machetes in hand and bullets flying. It was conceived as a series for Spanish television and later shown as a feature film under the name Más se perdió en Cuba (More Was Lost in Cuba) in Spain and Elpidio Valdés contra el águila y el león (Elpidio Valdés Against the Eagle and the Lion) in Cuba.

After her husband is taken by a malicious pterodactyl, a schoolteacher enlists the help of a prostitute and a gunslinger to rescue him.

A biting satire about life in contemporary Cuba. Alicia, a young drama instructor, is sent to the small town of Maravillas de Noveras, which is itself an exaggerated, but very ingenious reflection of the real Cuba. Her adventures there are almost as surreal as the ones experienced by Lewis Carroll's character, reflecting patterns of indoctrination, coercion, absolutism, and many other everyday problems in Cuban society.